terça-feira, 1 de outubro de 2013
Gino Santercole / Adriano Celentano - Colonna sonora originali del film Segni particolari: Bellissimo (1984)
Artist:Gino Santercole / Adriano Celentano
Title Of Album:Colonna sonora originali del film Segni particolari: Bellissimo
Year Of Release:1984
Label: CGD(20406)
Genre: Soundtrack, Pop Italy, Instrumental
Format: Mp3
Quality: CBR 320 kbit/s
Total Time: 00:46:03
Total Size: 110MB
Tracklist:
A1 The Sound of Love 3:01
A2 Camminata bellissima 4:00
A3 Michela 2:40
A4 Voila 3:12
A5 Spider rossa 1:06
A6 Banana Dance 1:04
A7 Bellissimo Slow 3:54
A8 Funkissimo bis 1:57
A9 Tuffy 1:44
B1 Bellissimo 3:51
B2 Sport Love 1:56
B3 Due passi bellissimo 4:16
B4 Ancora Michela 2:44
B5 Che tuffa 3:45
B6 Aerodinamik 1:35
B7 Primo incontro 1:45
B8 Passeggiata in galleria 2:18
B9 Il disco finisce qui 0:14
Musiche di Gino Santercole
Arrangiamenti di Fabio Frizzi
VA - Lounge Cinematica - Voce, Orchestra e Amore [Volumen 20]
Artist: VA
Title Of Album: Lounge Cinematica ~ Voce, Orchestra e Amore [Volumen 20]
Year Of Release: 19xx
Label: Lounge Cinematica Series
Genre: Easy Listening, Lounge, Jazz, Bossa Nova, Soul
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:12:44
Total Size: 169 Mb
Tracklist:
1. Introduzione / Apertura
Gianni Ferrio / Piero Piccioni
2. African Story (Suite Parte I)
Francesco De Masi
3. Mision En Ginebra
Piero Umiliani
4. Balboa Spell
Piero Piccioni
5. American Palace
Gianni Marchetti
6. Shadows
Bruno Nicolai
7. La Notte Che Evelyn Usci' Dalla Tomba
Bruno Nicolai
8. Peccato Mortale (Happiness #3)
Piero Piccioni
9. Una Storia D'amore
Carlo Savina
10. Right Or Wrong (Strumentale Alt. / Vocale)
Piero Piccioni
11. Il Mondo E Meraviglioso
Piero Umiliani
12. I Pattinatori Di Bruegel (Parte I E Ii)
Alessandro Alessandroni
13.Incontro Con Barbara
Gianni Marchetti
14. Every Night
Carlo Savina
15. Malessere
Stefano Torossi
16. Temptation
Piero Piccioni
17. Sunny Image
Francesco De Masi
18. African Story (Suite Parte Ii)
Francesco De Masi
19. Olga E Luca (Parte I E Ii)
Alberto Pomeranz
20. Freschi Sposi
Bruno Nicolai
21. Young Flirt
Alessandro Alessandroni
22. Gli Orrori Del Castello Di Norimberga (Take 1)
Stelvio Cipriani
23. Breve Amore
Piero Piccioni (Canta Alberto Sordi)
24. To Mirna
Carlo Savina
quarta-feira, 25 de setembro de 2013
Henry Mancini - Charade (1963/2001)
Artist: Henry Mancini
Title Of Album: Charade
Year Of Release: 1963/2001
Label: JVC XRCD
Genre: Jazz/Easy Listenning/Soundtrack
Format: APE (Tracks)+CUE, LOG
Total Time: 00:29:59
Total Size: 179 mb (+5%rec.)
Tracks:
01. Charade (Main Title)
02. Bistro
03. Bateau Mouche
04. Megeve - Henry Mancini
05. Bye Bye Charlie
06. Happy Carousel
07. Charade [Vocal]
08. Orange Tamoure
09. Latin Snowfall
10. Drip-Dry Waltz
11. Mambo Parisienne
12. Punch and Judy
13. Charade (Carousel) [From Carousel]
segunda-feira, 23 de setembro de 2013
Lalo Schifrin - Mission: Impossible And Other Thrilling Themes (2008) lossless
Artist: Lalo Schifrin
Title Of Album: Mission: Impossible And Other Thrilling Themes
Year Of Release: 2008
Label: Universal / Verve
Genre: Jazz, Soundtrack
Format: FLAC (Tracks)+CUE, LOG
Total Time: 00:57:38
Total Size: 352 mb (+5%rec.)
Tracks:
01. Mission Impossible (2:33)
02. Machinations (2:44)
03. Lalo's Bossa Nova (Samba Para Dos) (2:15)
04. The Man From Thrush (2:58)
05. Secret Code (2:30)
06. The Fakir (Cal Tjader feat. Lalo Schifrin) (3:18)
07. Just One Of Those Things (Lalo Schifrin & Bob Brookmeyer) (3:22)
08. The Wave (2:42)
09. Mannix (2:29)
10. Theme From Joy House (Jimmy Smith feat. Lalo Schifrin) (4:39)
11. Dissolving (2:33)
12. Agnus Dei (4:19)
13. Bossa Antique (3:30)
14. Bachianas Brasileiras #5 (3:53)
15. How To Open At Will The Most Beautiful Window (3:04)
16. Prelude #2 (5:01)
17. Silvia (3:11)
18. Bridge Of The Wind (2:38)
segunda-feira, 16 de setembro de 2013
VA - Jazz Goes Hollywood (2007)
Artist: VA
Title Of Album: Jazz Goes Hollywood (Jazzclub Highlights)
Year Of Release: 2007
Label: Verve, Universal Music Classics & Jazz
Genre: Jazz, Vocal Jazz, Soundtrack
Quality: FLAC (image+.cue+.log)
Bitrate: Lossless
Total Time: 48:92
Total Size: 309 MB (Covers)
Tracklist:
01. Danny Davis & His Orchestra / The James Bond Theme 02:28
02. Dusty Springfield / Second Time Around 03:26
03. Astrud Gilberto / Who Needs Forever 03:08
04. Dizzy Gillespie / Never On Sunday 03:04
05. Bing Crosby / Thes All Laughed 02:41
06. Dinah Washington / I'm Thru With Love 02:28
07. Xavier Cugat & His Orchestra / Wonderland By Night 02:48
08. Sarah Vaughan / Moon River 02:50
09. Willie Bobo / The Look Of Love 04:17
10. Bert Kaempfert & His Orchestra / Laura 02:57
11. Walter Wanderley Trio / A Man And A Woman 02:32
12. Jack Jones / Wives And Lovers 02:31
13. Blossom Dearie / C'est Le Printemps (It Might As Well be Spring) 03:10
14. Kai Winding / More 02:04
15. Quincy Jones & His Orchestra / Manha De Carnaval 02:56
16. Billy Eckstine / Three Coins In The Fountain 03:46
17. Wes Montgomery / The Shadow Of Your Smile 02:18
18. Swing Out Sister / The Windmills Of Your Mind 03:01
Henry Mancini - More Music From Peter Gunn (1959)
Artist: Henry Mancini
Title Of Album: More Music From Peter Gunn
Year Of Release: 1959
Label: RCA
Genre: Soundtrack, Instrumental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:40:06
Total Size: 95 Mb
Tracklist:
1. Walkin' Bass (4:27)
2. Timothy (2:36)
3. Joanna (2:45)
4. My Manne Shelly (2:40)
5. Goofin' At The Coffee House (4:15)
6. Odd Ball (3:27)
7. Blue Steel (3:45)
8. The Little Man Theme (3:17)
9. Spook (3:00)
10. A Quiet Gass (3:07)
11. Lightly (3:27)
12. Blues For Mother's (3:20)
Isaac Hayes - Truck Turner OST - 1974 (1993) MP3 + Lossless
Artist: Isaac Hayes
Title Of Album:Truck Turner OST
Year Of Release: 1974 (1993)
Label: Stax
Genre: Funk, Soul, R&B
Quality: mp3/Flac (tracks)
Bitrate: 320 kbps/Lossless
Total Time:72:08
Total Size: 161,96 / 460,79 Mb
Tracklist :
01. Main Title "Truck Turner"
02. House of Beauty
03. Blue's Crib
04. Driving in the Sun
05. Breakthrough
06. Now We're One
07. The Duke
08. Dorinda's Party
09. Pursuit of the Pimpmobile
10. We Need Each Other Girl
11. A House Full of Girls
12. Hospital Shoutout
13. You're in My Arms Again
14. Give It to Me
15. Drinking
16. The Insurance Company
17. End Theme
quinta-feira, 5 de setembro de 2013
VA - The Day The TV Stood Still (2007)
Artist: VA
Title Of Album: The Day The TV Stood Still
Year Of Release: 2007
Label: Winchester Hospital Radio
Genre: Instrumental, Jazz, Funk, Soul, Stage & Screen
Quality: MP3
Bitrate: 192 kbps
Total Time: 2 CD
Total Size: 216 Mb
Tracklist:
CD1 (01:18:24)
1. Lee Mason - Skydiver (3:13)
2. Nicholas Adriano - Casanova (2:06)
3. Paul Dupont - Five Square (2:51)
4. Rene Costy - Free Time (3:02)
5. The Queen's Hall Light Orchestra - Dakota Country (2:30)
6. Ole Jensen - Bright Eyes (2:05)
7. Paul Dupont - Go-Girls (3:00)
8. The Ole Jensen Ensemble - Flute Allegro (1:59)
9. Eddie Thomas - Island of Sun (2:44)
10. Eiffel Tower - The Bright Life (2:40)
11. Paul Dupont - Bumby-Boo (4:05)
12. John Cacavas - Brass Bugaloo (2:17)
13. Roger Roger - Pleasure Drive (2:27)
14. Ole Jensen - The Lonely Troubadour (2:20)
15. Paul Dupont - Lemon Cream (3:16)
16. Roger Roger - Travelogue (2:38)
17. Ole Jensen - A Summer Tale (2:18)
18. Ole Jensen - Surf-Riding (1:20)
19. John Cacavas - Monkey on a Stick (1:51)
20. Ole Jensen - The Wishing Well (1:30)
21. Paul Dupont - Avocado (3:04)
22. Ole Jensen - Sun-Ride (1:02)
23. Ole Jensen - Touch of Plush (2:41)
24. Ole Jensen - Bonzo (1:10)
25. The Johnny Burt Sound - Lady of the Mist (2:50)
26. The Queen's Hall Light Orchestra - Sarabande in the Olden Style (2:41)
27. Ole Jensen - Birthday Girl (2:50)
28. Mark Duval - Spick and Span (2:23)
29. Roger Roger And His Champs Elysees Orchestra - Pavane (2:09)
30. The New Festival Orchestra - Merry Peasant Hayride (2:44)
31. Ole Jensen - And Now Showtime! (2:15)
32. Ole Jensen - Fun with Fido (2:23)
CD2 (01:18:46)
1. Jos Cleber - Prelude in Rhythm (2:46)
2. The Telecast Orchestra - Sunday Afternoon (2:46)
3. The Telecast Orchestra - Autumn Pastorale (3:08)
4. The Rhythm Group - Invitation to Rhythm (2:43)
5. Melodi Light Orchestra - Children's Hour (2:35)
6. Mel Young - Goofy Guitar (3:06)
7. The Telecast Orchestra - Travelling Along (2:24)
8. The Telecast Orchestra - French Flirt (2:34)
9. The Telecast Orchestra - Music Box Lullaby (2:19)
10. The Telecast Orchestra - In the Park (2:33)
11. The Svend Asmussen Orchestra - Black Cat (3:05)
12. Melodi Light Orchestra - Spring Serenade (2:37)
13. The Telecast Orchestra - Cocktails by Candlelight (2:40)
14. The Telecast Orchestra - Nurseryland (3:09)
15. Mel Young - Playtime Polka (2:29)
16. Jos Cleber - Ballet Star (3:04)
17. The Bunny J. Browne Trio - Nursery Rhythms (2:56)
18. Mel Young - Water Ski Waltz (2:52)
19. Steve Race - Pacemaker (3:00)
20. String Ensemble - A Lonely Affair (2:54)
21. The Telecast Orchestra - Toytown on Parade (3:12)
22. The Roger Roger Ensemble - Mr Bach in Rhythm (1:56)
23. The Telecast Orchestra - Stiletto Heels (2:31)
24. Jos Cleber - Going with a Swing (2:37)
25. The Telecast Ensemble - Walking Tune (1:06)
26. Melodi Light Orchestra - Blue Moment (3:28)
27. Steve Race - Alone in a Crowd (3:11)
28. The Telecast Orchestra - Micrometer (2:40)
29. Comedy Ensemble - Bonus: 'Vision On' Medley - Comedy Cocktail Pt4 - Drum Dramatics 13 - Comedy Cocktail Pt2 (2:25)
VA - Du Rififi Au Cinema (2001) [OST]
Não curto coletâneas, prefiro o disco original do tema, mas esta coletânea me deixou impressionado pela quantidade e qualidade, de trilhas sonoras de filmes Franceses.
Artist: VA
Title Of Album: Du Rififi Au Cinema
Year Of Release: 2001
Label: FGL
Genre: Soundtrack
Quality: MP3
Bitrate: 320 kbps
Total Time: 3 CD
Total Size: 522 Mb
Tracklist:
CD 1
01. Le grisbi [De Touchez Pas au Grisbi] - Delerue, Georges
02. Hymne à l'argent [From Mélodie en Sous-Sol] - Delerue, Georges
03. Palm-Beach [De Mélodie en Sous-Sol] - Hornez, André
04. Le rififi [De du Rififi Chez Les Hommes] - Misraki, Paul
05. La chnouf [De Razzia Sur LA Chnouf] - Magne, Michel
06. Le Nantais, la nuit [De Razzia Sur LA Chnouf] - Magne, Michel
07. Charlie (génériq [De Tirez Sur le Pianiste] - Leccia, Jean
08. Poursuite et ren [De Tirez Sur le Pianiste] - Chevallier, Christi
09. Rock [De Tirez Sur le Pianiste] - Chevallier, Christi
10. Thème d'amour [De Tirez Sur le Pianiste] - Lanjean, Marc
11. Classe tous risques (générique) [De Classe Tous Risques]
12. Le Le doulos [De le Doulos]
13. Le Jazz rapide [De le Doulos]
14. Générique [De des Pissenlits Par LA Racine]
15. Générique [De du Rififi à Paname]
16. Riff-hi-fi [De du Rififi à Paname]
17. Thème de Bob [De Bob le Flambeur]
18. Le Générique [De le Cave Se Rebiffe]
19. Générique [De du Rififi à Tokyo]
20. Scène d'amour et final [De du Rififi à Tokyo]
21. Thème principal [De Lucky Jo]
22. Adagio [De Lucky Jo]
23. Ca ne sert à rein (for the film Maigret Tend un Piège) 0
24. Maigret tend un piège (générique) [De Maigret Tend un Piège]
25. Thème Principal [De Symphonie Pour un Massacre]
26. Cinq hommes à abattre [De Symphonie Pour un Massacre]
27. Le Générique [De le Gorille Vous Salue Bien]
28. Thème [De Deux Hommes dans Manhattan]
29. Street in Manhattan (for the film of Deux Hommes dans Manhattan) [De De
30. Les Générique [De Les Cinq DeRnières Minutes]
CD 2
01. Philippe Sarde - Flic ou Voyou
02. Philippe Sarde - Deux hommes dans la ville
03.Francois De Roubaix - Adieu l'ami
04. Eric Demarsan - Le cercle rouge
05. Francois De Roubaix - La scoumoune
06. Vladimir Cosma - Maldonne
07. Francis Lai - Le passager de la pluie
08. Francis Lai - Le passager de la pluie (bis)
09. Ennio Morricone - Le secret
10. Ennio Morricone - I... Comme Icare
11. Philippe Sarde - Les seins de glace
12. Francis Lai - Le corps de mon ennemi
13. Michel Colombier - Un Flic
14. Michel Colombier - L'heritier
15. Ennio Morricone - Sans mobile apparent
16. Alan Reeves - Laisse aller... c'est une valse!
17. Georges Delerue - Comme un Boomerang
18. Carlo Rustichelli - Le gang
19. Eddie Vartan - Il etait une fois un flic
20. Hubert Giraud - Le Tueur
21. Francis Lai - La Course du Lievre a travers les Champs
22. Georges Delerue - Tendre Poulet
23. Alain Goraguer - L'affaire Dominici
24. Georges Delerue - Garde a vue
25. Ennio Morricone - Espion Leve-toi
26. Artie Kaplan - Pour la peau d'un flic
CD 3
01. Philippe Sarde - Le Choc
02. Ennio Morricone - Le Professionnel - Generique
03. Ennio Morricone - Le Professionnel - Le retour (sur le nom de Bach)
04. Francis Lai - Les Ripoux
05. Georges Delerue - Vivement dimanche!
06. Christian Dorisse - Le battant
07. Michel Legrand - Train d'enfer
08. Philippe Sarde - Mille milliards de dollars
09. Reinhardt Wagner - La crime
10. Vladimir Cosma - Le bar du Telephone
11. Francis Lai - Canicule
12. Michel Magne - L'indic
13. Eric Demarsan - L'indiscretion
14. Georges Delerue - Conseil de famille
15. Georges Delerue - Conseil de famille - Sur la route des chantiers
16. Hubert Rostaing & Ivan Jullien - Tir Groupe - Antoine et Carine - Final
17. Karl-Heinz Schoofer - Exterieur nuit - Generique de fin
18. Karl-Heinz Schoofer - Exterieur nuit - La chasse
19. Jean-Claude Petit & Michel Schonberg - Le caviar rouge
20. Gabriel Yared - Agent trouble
21. Georges Delerue - Descente aux enfers - La confession de Lola (final)
22. Jean-Claude Petit - L'addition - Vers la Liberte
23. Claude Bolling - On ne meurt que deux fois
24. Francis Lai - Association de Malfaiteurs - Generique de fin
25. Serge Franklin - Le grand pardon
Giorgio Gaslini - La Notte (2011)
Artist: Giorgio Gaslini
Title Of Album: La Notte
Year Of Release: 2011
Label: Quartet Records
Genre: Soundtrack, Contemporary Jazz, Cool Jazz
Quality: mp3
Bitrate: 320kbps
Total Size: 126 mb
Tracklist:
1. Lettura della lettera (04:06)
2. Ballo di Lidia (03:04)
3. Voci dal fiume (05:55)
4. Qartetito sotto le stelle (03:16)
5. Blues all'alba (05:44)
6. Valzer lento (01:40)
7. Notturno blues (02:56)
8. Finale (01:04)
9. Jazz interludio (03:03)
10. Country club (00:55)
11. Ballo di Lidia (02:40)
12. Lettura della lettera (04:16)
13. La notte (03:38)
14. La notte (02:58)
15. Finale (01:09)
16. Ballo di Lidia (02:49)
17. Finale (01:16)
18. Ballo di Lidia (04:32)
Download:
turbobit.net
uploaded.net
quinta-feira, 22 de agosto de 2013
Ennio Morricone não pretende mais trabalhar com Tarantino
RIO - O compositor e maestro italiano Ennio Morricone não poupou críticas a Quentin Tarantino. De acordo com a revista americana “The Hollywood Reporter”, ele declarou que não tem vontade de trabalhar novamente com o diretor e roteirista. A mais recente colaboração de Morricone em um trabalho de Tarantino pode ser conferida na trilha sonora de “Django livre” (2012), como nas faixas “Sister Sara's theme”, “The braying mule” e “Ancora qui”, esta na voz da cantora italiana Elisa Toffoli.
“Eu não gostaria de trabalhar com ele de novo, em qualquer coisa”, afirmou Morricone, em uma palestra para estudantes de uma universidade em Roma. “Ele disse, no ano passado, que queria trabalhar comigo de novo sempre, desde ‘Bastardos inglórios’, mas eu disse a ele que não poderia, porque ele não me dá tempo suficiente. Então, ele apenas usou uma canção que eu já havia escrito anteriormente”, explicou.
O maestro justifica a sua frustração com o cineasta alegando que Quentin Tarantino utiliza a sua música incoerentemente nos filmes e “não se pode trabalhar com alguém assim”. Ainda segundo o “Hollywood Reporter”, Morricone assistiu a “Django livre”, mas o longa-metragem não o surpreendeu: “Francamente, eu não me importo com isso”. Para o compositor, há “muito sangue”.
Ennio Morricone já foi indicado cinco vezes ao Oscar na categoria de melhor canção original, com os filmes “Cinzas no paraíso” (1978), “A missão” (1986), “Os intocáveis” (1987), “Bugsy” (1991) e “Malena” (2000). Em 2007, conquistou o prêmio honorário da academia de Hollywood pelo conjunto de sua obra. Ele ainda é bastante reconhecido por sua colaboração no fundo musical de “Cinema paradiso” (1988), de Giuseppe Tornatore. A parceira entre Morricone e Tarantino começou em 2003, com a franquia de “Kill Bill”. O compositor também participou da trilha sonora de “Bastardos inglórios” (2009).
“Eu não gostaria de trabalhar com ele de novo, em qualquer coisa”, afirmou Morricone, em uma palestra para estudantes de uma universidade em Roma. “Ele disse, no ano passado, que queria trabalhar comigo de novo sempre, desde ‘Bastardos inglórios’, mas eu disse a ele que não poderia, porque ele não me dá tempo suficiente. Então, ele apenas usou uma canção que eu já havia escrito anteriormente”, explicou.
O maestro justifica a sua frustração com o cineasta alegando que Quentin Tarantino utiliza a sua música incoerentemente nos filmes e “não se pode trabalhar com alguém assim”. Ainda segundo o “Hollywood Reporter”, Morricone assistiu a “Django livre”, mas o longa-metragem não o surpreendeu: “Francamente, eu não me importo com isso”. Para o compositor, há “muito sangue”.
Ennio Morricone já foi indicado cinco vezes ao Oscar na categoria de melhor canção original, com os filmes “Cinzas no paraíso” (1978), “A missão” (1986), “Os intocáveis” (1987), “Bugsy” (1991) e “Malena” (2000). Em 2007, conquistou o prêmio honorário da academia de Hollywood pelo conjunto de sua obra. Ele ainda é bastante reconhecido por sua colaboração no fundo musical de “Cinema paradiso” (1988), de Giuseppe Tornatore. A parceira entre Morricone e Tarantino começou em 2003, com a franquia de “Kill Bill”. O compositor também participou da trilha sonora de “Bastardos inglórios” (2009).
Ennio Morricone - Deluxe Edition (2006)
Artist: Ennio Morricone
Title Of Album: Deluxe Edition
Year Of Release: 2006
Label: Cinevox | CD MDF 603
Country: Italy (Rome)
Genre: Instrumental, Soundtrack, Pop, Easy Listening
Quality: FLAC (image+.cue+.log) | Mp3
Bitrate: Lossless | CBR 320kbps
Total Time: 02:20:35
Total Size: 741 MB | 352 MB (Scans)
WebSite: Ennio Morricone
Tracklist:
CD1
01. L'Assoluto Naturale
02. Sembravi Desiderare
03. Sauna
04. Metti Una Sera A Cena
05. Indagine
06. Miraggio
07. Piume Di Cristallo
08. Violenza Inattesa
09. Come Un Miracolo
10. Sospesi Tra Le Nuvole
11. Come Un Madrigale
12. 4 Mosche Di Velluto Grigio (Titoli)
13. Lei Se Ne More
14. Anche Se Volessi Lavorare Che Faccio
15. La Cosa Buffa
16. Come Giulietta E Romeo
17. Ultimo Atto
18. Verso La Frontiera
19. Coincidenze (Alternate Take)
20. L'Ultimo Treno Della Notte
CD2
01. Giu La Testa
02. Marcia Degli Accattoni
03. La Donna Della Domenica
04. Torino Di Notte
05. Accadde A Venezia
06. L'Addio Tra Linda E Tullio
07. Tema Di Francesca
08. La Moglie Piu Bella
09. Cos? Come Sei
10. A Nastassia
11. Il Gatto
12. L'Attico Illuminato
13. Giocattolo
14. Una Tenera Moglie
15. Un Sacco Bello
16. Un Salotto Borghese
17. Non Fare L'Indiano
18. L'Estasi Del Miracolo
19. Bianco, Rosso E Verdone
20. Autostrada
Curtis Mayfield - Superfly OST - 1972 (1999) Lossless
Artist: Curtis Mayfield
Title Of Album:Superfly OST
Year Of Release: 1972 (1999)
Label:Rhino
Genre:Funk, Soul, Soundtrack
Quality: mp3/Flac (tracks+.cue)
Bitrate: 320 kbps/Lossless
Total Time:43:40
Total Size: 271,36 Mb
Tracklist :
01. Little Child Runnin' Wild (05:26)
02. Pusherman (05:04)
03. Freddie's Dead (05:28)
04. Junkie Chase (01:39)
05. Give Me Your Love (04:17)
06. Eddie You Should Know Better (02:18)
07. No Thing on Me (04:55)
08. Think (03:46)
09. Superfly (03:52)
Bonus:
10. "Freddie's Dead (Theme from Superfly)" (single mix) – 3:20
11. "Superfly" (single mix) (Mayfield) – 3:08
Willie Hutch - The Mack OST 1973 (1996) Lossless
Artist: Willie Hutch
Title Of Album:The Mack OST
Year Of Release: 1973 (1996)
Label: Motown
Genre:Funk, Soul, R&B, Soundtrack
Quality: Flac (tracks+.cue)
Bitrate: Lossless
Total Time:37:14
Total Size: 246,79 Mb
Tracklist :
1. Vampin' 2:45
2. Theme of the Mack 5:36
3. I Choose You 3:42
4. Mack's Stroll/The Getaway (Chase Scene) 3:08
5. Slick 3:36
6. Mack Man (Got to Get Over) 5:11
7. Mother's Theme (Mama) 3:56
8. Now That It's All Over 4:32
9. Brother's Gonna Work It Out 4:46
Nino Rota - The Godfather OST (1972)
Artist:Nino Rota
Title Of Album:The Godfather OST
Year Of Release: 1972(2006)
Label: MCA records. inc
Genre: Soundtrack,Instrumental
Quality: APE (image+.cue) + log
Bitrate: Lossless
Total Time:31:38
Total Size: 157.86 MB
Tracklist :
01 - Main title (The godfather waltz) (3:09)
02 - I have but one heart (performed by Al MARTINO) (3:00)
03 - Pickup, The (3:00)
04 - Connie’s wedding (1:37)
05 - Halls of fear, The (2:15)
06 - Sicilian pastorale (3:05)
07 - Love them from the 'Godfather' (Speak softly love) (2:41)
08 - Godfather waltz, The (3:38)
09 - Apollonia (1:25)
10 - New godfather, The (2:03)
11 - Baptism, The (1:54)
12 - 'Godfather' finale, The (3:51)
Conductor Carlo SAVINA
Al MARTINO (2)
Johnny FARROW / Mary SYMES (2)
Carmine COPPOLA (4)
Title Of Album:The Godfather OST
Year Of Release: 1972(2006)
Label: MCA records. inc
Genre: Soundtrack,Instrumental
Quality: APE (image+.cue) + log
Bitrate: Lossless
Total Time:31:38
Total Size: 157.86 MB
Tracklist :
01 - Main title (The godfather waltz) (3:09)
02 - I have but one heart (performed by Al MARTINO) (3:00)
03 - Pickup, The (3:00)
04 - Connie’s wedding (1:37)
05 - Halls of fear, The (2:15)
06 - Sicilian pastorale (3:05)
07 - Love them from the 'Godfather' (Speak softly love) (2:41)
08 - Godfather waltz, The (3:38)
09 - Apollonia (1:25)
10 - New godfather, The (2:03)
11 - Baptism, The (1:54)
12 - 'Godfather' finale, The (3:51)
Conductor Carlo SAVINA
Al MARTINO (2)
Johnny FARROW / Mary SYMES (2)
Carmine COPPOLA (4)
Nino Rota e Fellini - Uma parceria como poucas
Carlos Augusto Brandão para a Italiamiga
O compositor italiano Nino Rota teria feito 90 anos no último dia do ano que passou. Ele não está mais entre nós, mas sua música permanece como uma das mais belas e eternas da história do cinema. Rota nasceu em Milão em 1911 e, criança prodígio, com apenas 11 anos compôs um oratório - A Infância de São João Batista. Após completar seus estudos na Academia de Santa Cecília de Roma, ele escreveu sinfonias, óperas, diversos concertos e trilhas de balé antes de chegar ao cinema, com 22 anos, onde permaneceu até sua morte aos 68 anos em 1979. Sua primeira trilha foi para o filme Treno Popolare, de Raffaelo Matarazzo de 1933. Mas seu primeiro grande sucesso foi a trilha para Noites de Cabíria em 57, uma das diversas obras primas de Federico Fellini, sobre a história tocante da prostituta Cabíria, seus sonhos, suas ilusões e desapontamentos. Cabíria sonha com o príncipe encantado, mas continua vivendo na marginalidade cercada de gigolôs. A trilha de Nino Rota conseguiu captar à perfeição toda a desilusão de Cabíria e também a poesia que envolve o filme. Em 60, Rota teve outro grande sucesso com a trilha para o filme A Doce Vida, também de Fellini, com quem fez uma das dobradinhas diretor/compositor mais perfeitas da história do cinema, iniciada em 52 com O Sheik Branco e que perdurou até 79, com Ensaio de Orquestra. A Doce Vida é um clássico do cinema marcado pelo desempenho inesquecível de Marcello Mastroianni, pela cena em que Anita Ekberg se banha na Fontana di Trevi e também pela música marcante de Nino Rota.
Rota foi diretor do importante Conservatório de Bari por 37 anos. Suas trilhas são caracterizadas por uma grande simplicidade e geralmente possuem uma linha melódica que fica guardada na memória das pessoas. Trabalhou com grandes diretores do cinema, como King Vidor (Guerra e Paz), Visconti (O Leopardo) e Zefirelli (Romeu e Julieta) , mas seus trabalhos mais notáveis certamente foram com Fellini com quem fez Boccacio 70, A Estrada, Os Boas Vidas, Satyricon, Oito e Meio, Julieta dos Espíritos e especialmente Amarcord, onde nos brindou com uma das músicas mais belas e nostálgicas do cinema . Em 74, a Academia de Hollywood rendeu-se ao talento de Rota, dando a ele o Oscar pela trilha musical de O Poderoso Chefão II, premiando uma carreira memorável que inclui ainda clássicos como Obsessão e Rocco e seus Irmãos, entre outros. Sua última trilha para o cinema foi para o filme Ernesto, de Salvatore Samperi, feita juntamente com Carmelo Bernaola. Muitos diretores, no entanto, continuaram - e certamente ainda continuarão - utilizando as canções de Rota em seus filmes : este foi o caso de Almodóvar em Labirinto de Paixões, do próprio Fellini em A Entrevista e de Francis Ford Coppola em O Poderoso Chefão III, repetindo o sucesso que a música do extraordinário compositor tinha dado à sua trilogia. Em novos filmes e nos antigos, a música de Rota permanecerá sempre na cabeça dos cinéfilos em momentos comoventes como - só para citar alguns - a cena final de Oito e Meio, com os personagens se movendo num picadeiro ao som de sua música ou nas lembranças da infância de Fellini, embaladas pelas notas personalíssimas de Rota em Amarcord.
http://www.italiamiga.com.br
Clay Pitts Orchestra (featuring Arlene Tiger) – Female Animal - 1970 (2000) MP3 + Lossless
Artist:Clay Pitts Orchestra, Arlene Tiger
Title Of Album:Female Animal OST
Year Of Release: 1970 (2000)
Label:Vintage Classic Series
Genre:Soundtrack,Classical Music
Quality: mp3/APE (image+.cue)
Bitrate: 320 kbps/Lossless
Total Time:40:45
Total Size: 91,73 / 224,43 Mb
Tracklist :
01. Angelique (3:23)
02. Tiger Theme (Main Titles) (2:32)
03. Summer Theme (3:25)
04. Female Animal (Part 1) [Sung By Arlene Tiger] (2:14)
05. Rape Theme (1:41)
06. Caribbean Sunset (2:48)
07. Summer Love (Reprise) (4:16)
08. Traveling Theme (1:29)
09. Love Scene Between Count And Francesca (2:39)
10. Walk That Kat (3:03)
11. Caribbean Sunrise (3:04)
12. Francesca's Theme (2:11)
13. Female Animal (Part 1) Instr. (2:37)
14. Angelique & Tiger Theme (Reprise) (5:22)
quinta-feira, 8 de agosto de 2013
Donny Hathaway - Come Back Charleston Blue [Soundtrack] (1972) [Remastered 2007]
Artist: Donny Hathaway
Title Of Album: Come Back Charleston Blue
Year Of Release: 2007
Label: Rhino Records/ATCO Records / 8122-76430-2
Genre: Jazz, Soul, Funk, Ragtime
Total Time: 46:37 min
Format: Mp3 / FLAC (tracks +.cue, log-file)
Quality: CBR 320 kbps / Lossless
Total Size: 112 mb / 294 mb
Donny Hathaway was one of the brightest new voices in soul music at the dawn of the '70s, possessed of a smooth, gospel-inflected romantic croon that was also at home on fiery protest material. He influenced a whole generation of later soul acts despite releasing only four LPs, but achieved his greatest commercial success with two huge hits as Roberta Flack's duet partner of choice. The culmination of many years work as a producer, arranger, songwriter, and session keyboardist were finally realised in 1972 when Hathaway branched out into soundtrack work, recording and scoring the film Come Back Charleston Blue, alongside jazz legend Quincy Jones. Hathaway really showed off his versatility with pieces ranging from 20's style jazz to bossa nova, but it is the the superb "Little Ghetto Boy" and a duet on the title cut with Margie Joseph that provide the biggest draws. On CD for the first time, this remastered & expanded edition also boasts an alternate instrumental take of the studio version plus a live rendition of the track recorded at NYC's Bitter End club on October 29th 1971, both previously unissued.
Brought to him by ace saxophonist King Curtis, Jerry Wexler sat down to listen to a demo tape of "The Ghetto" by Donny Hathaway. A stunned Wexler promptly signed the young 23-year old to the magical Atlantic label with the sense of having `found something special - maybe even genius'. Hathaway quickly made good on that taped promise and produced a string of stunning soul albums in the early Seventies - "Everything Is Everything" (his debut in 1970), "Donny Hathaway" (his self-titled 2nd album in 1971) and the masterpiece that is "Extension Of A Man" in 1973. And then sandwiched between his fantastic "Live" set of March 1972 and his first duet soul album "Roberta Flack & Donny Hathaway" in April 1972 came the soundtrack to "Come Back Charleston Blue" - a slightly out-of-synch-and-character outing that only partially works.
Originally released in April 1972 on Atco in the USA, this October 2007 expanded remaster by Rhino, finally makes available that soundtrack rarity after 25 years in obscurity. Produced and supervised by Quincy Jones, the original 11-track single album (broken into 21 'bits') is topped up with two bonus tracks - versions of "Little Ghetto Boy" - an alternate studio take and a live version. Long-time in-house remastering supremo Bill Inglot has done a bang-up job with the tapes as usual; the sound is gorgeous and far better than the cramped vinyl ever was.
Unfortunately, that's where the good news ends. Even as a rabid fan, I would have to admit that this album is not great by any stretch of the imagination - the runt of Hathaway's vinyl litter.
The album is - of course - a victim of the times in which it was made. Just 5 months earlier in December 1971, Isaac Hayes and his funky soundtrack to "Shaft" had been a global smash and ushered in the phenomenon of Blaxsploitation. Suddenly every soundtrack went `funky/soulful' crazy. That's ok, says you, but this soundtrack revolved more around old-world jazz and suffers badly for it. There are an awful lot of duffer Charleston boogie-woogie jazz pieces on here that are truly awful - and what's good - short funky passages peppered with an actual song every now and then - is very sporadic and inconsistent. There are also a lot of half-minute snippets on the album (the nature of a soundtrack) that are `interesting' but hardly essential.
Comparisons can be made to Marvin Gaye's excellent "Trouble Man" soundtrack - a solid favourite among fans - soulful and funky - with killer instrumental passages. I would say that "Come Back Charleston Blue" meets about half of those expectations. Highlights though include, "Harlem Dawn" (his first vocals on the LP) and "Little Ghetto Boy" the first proper song on the album. "Hearse To The Graveyard" is a fantastic instrumental to grace any funky CD-R you care to compile. "Bossa Nova" sounds like it came off an easy listening compilation made up by nondescript session men - half fun, half dire. "Tim's High" fares better, strings and soul with some great pleading `mercy' vocals - superb but maddeningly short at 1:30. The following track is probably the best funky instrumental on there - "Furniture Truck" sounds like Mission Impossible meets James Brown.
The two previously unreleased bonuses are superb - first is a new studio take on "Little Ghetto Boy" probably the album's best number. It's close to being as beautiful as the final take. The `live" version is soulful, funky and magnificent - the audience reacting to his `new song' with enthusiasm.
The MGM movie itself is long forgotten - and the liner notes admit to this - crap best left to posterity.
Those expecting the magnificent soul of his 3 stunning Atlantic albums should look elsewhere. What's really needed are DELUXE EDITIONS of his best studio works including a 2CD version of the awesome "Live" set from 1972 - like Rhino did with Aretha's expanded "Live At Fillmore West" 2-disc set. But as it stands, "Come Back Charleston Blue" is a flawed but worthy addition to his cannon of work and if it's belated reissue introduces his music to a new generation of soul lovers, then that's cool.
Aged only 33 and racked with depression he hadn't been able to handle for years, Hathaway took his own life in January 1979 in New York and robbed the Soul music community of a huge talent - someone of the musical and social stature of say Stevie Wonder, Marvin Gaye, Bobby Womack, Sam Cooke and Curtis Mayfield. Donny Hathaway is like Marvin, greatly missed and much loved to this day.
To sum up, "Come Back Charleston Blue" is an only-ok album with some great bits on it. However, if you're like me, and you see his name on the cover, you get the shivers and have to own it! Good in places, but seriously underwhelming in others, the uninitiated should try a snippet listen on iTunes first before purchase. Then try 'Everything Is Everything' or 'Extension Of A Man'. God! How I envy you hearing those gems for the first time!
Brought to him by ace saxophonist King Curtis, Jerry Wexler sat down to listen to a demo tape of "The Ghetto" by Donny Hathaway. A stunned Wexler promptly signed the young 23-year old to the magical Atlantic label with the sense of having `found something special - maybe even genius'. Hathaway quickly made good on that taped promise and produced a string of stunning soul albums in the early Seventies - "Everything Is Everything" (his debut in 1970), "Donny Hathaway" (his self-titled 2nd album in 1971) and the masterpiece that is "Extension Of A Man" in 1973. And then sandwiched between his fantastic "Live" set of March 1972 and his first duet soul album "Roberta Flack & Donny Hathaway" in April 1972 came the soundtrack to "Come Back Charleston Blue" - a slightly out-of-synch-and-character outing that only partially works.
Originally released in April 1972 on Atco in the USA, this October 2007 expanded remaster by Rhino, finally makes available that soundtrack rarity after 25 years in obscurity. Produced and supervised by Quincy Jones, the original 11-track single album (broken into 21 'bits') is topped up with two bonus tracks - versions of "Little Ghetto Boy" - an alternate studio take and a live version. Long-time in-house remastering supremo Bill Inglot has done a bang-up job with the tapes as usual; the sound is gorgeous and far better than the cramped vinyl ever was.
Unfortunately, that's where the good news ends. Even as a rabid fan, I would have to admit that this album is not great by any stretch of the imagination - the runt of Hathaway's vinyl litter.
The album is - of course - a victim of the times in which it was made. Just 5 months earlier in December 1971, Isaac Hayes and his funky soundtrack to "Shaft" had been a global smash and ushered in the phenomenon of Blaxsploitation. Suddenly every soundtrack went `funky/soulful' crazy. That's ok, says you, but this soundtrack revolved more around old-world jazz and suffers badly for it. There are an awful lot of duffer Charleston boogie-woogie jazz pieces on here that are truly awful - and what's good - short funky passages peppered with an actual song every now and then - is very sporadic and inconsistent. There are also a lot of half-minute snippets on the album (the nature of a soundtrack) that are `interesting' but hardly essential.
Comparisons can be made to Marvin Gaye's excellent "Trouble Man" soundtrack - a solid favourite among fans - soulful and funky - with killer instrumental passages. I would say that "Come Back Charleston Blue" meets about half of those expectations. Highlights though include, "Harlem Dawn" (his first vocals on the LP) and "Little Ghetto Boy" the first proper song on the album. "Hearse To The Graveyard" is a fantastic instrumental to grace any funky CD-R you care to compile. "Bossa Nova" sounds like it came off an easy listening compilation made up by nondescript session men - half fun, half dire. "Tim's High" fares better, strings and soul with some great pleading `mercy' vocals - superb but maddeningly short at 1:30. The following track is probably the best funky instrumental on there - "Furniture Truck" sounds like Mission Impossible meets James Brown.
The two previously unreleased bonuses are superb - first is a new studio take on "Little Ghetto Boy" probably the album's best number. It's close to being as beautiful as the final take. The `live" version is soulful, funky and magnificent - the audience reacting to his `new song' with enthusiasm.
The MGM movie itself is long forgotten - and the liner notes admit to this - crap best left to posterity.
Those expecting the magnificent soul of his 3 stunning Atlantic albums should look elsewhere. What's really needed are DELUXE EDITIONS of his best studio works including a 2CD version of the awesome "Live" set from 1972 - like Rhino did with Aretha's expanded "Live At Fillmore West" 2-disc set. But as it stands, "Come Back Charleston Blue" is a flawed but worthy addition to his cannon of work and if it's belated reissue introduces his music to a new generation of soul lovers, then that's cool.
Aged only 33 and racked with depression he hadn't been able to handle for years, Hathaway took his own life in January 1979 in New York and robbed the Soul music community of a huge talent - someone of the musical and social stature of say Stevie Wonder, Marvin Gaye, Bobby Womack, Sam Cooke and Curtis Mayfield. Donny Hathaway is like Marvin, greatly missed and much loved to this day.
To sum up, "Come Back Charleston Blue" is an only-ok album with some great bits on it. However, if you're like me, and you see his name on the cover, you get the shivers and have to own it! Good in places, but seriously underwhelming in others, the uninitiated should try a snippet listen on iTunes first before purchase. Then try 'Everything Is Everything' or 'Extension Of A Man'. God! How I envy you hearing those gems for the first time!
TRACKLIST:
01. Main Theme - 2:21
02. Basie - 3:55
03. String Segue - 0:36
04. Vegetable Wagon - 1:07
05. Harlem Dawn - 1:38
06. Scratchy Record - 3:09
07. Explosion - 0:25
08. Hearse to the Graveyard - 2:46
09. Switch "Charleston Blue" - 0:34
10. Come Back Basie - 2:36
11. Detective's Goof - 0:28
12. Gravedigger Jones & Coffin Ed's Funeral - 3:02
13. String Segue - 0:19
14. Little Ghetto Boy - 3:51
15. Hail to the Queen - 0:21
16. Drag Queen Chase - 0:47
17. Bossa Nova - 1:49
18. Tim's High - 1:32
19. Furniture Truck - 1:19
20. Liberation - 2:52
21. Come Back Charleston Blue (with Margie Joseph) - 2:07
22. Little Ghetto Boy (Alternate Mix Without Strings) (Previously Unreleased Bonus Track) - 3:41
23. Little Ghetto Boy (Live at The Bitter End, NYC, 1971) (Previously Unreleased Bonus Track) - 5:10
DOWNLOAD LINKS:
:: LOSSLESS ::Uploaded | TurboBit | Rapidgator
:: CBR 320 kbps ::Uploaded | TurboBit | Rapidgator
:: LOSSLESS ::Uploaded | TurboBit | Rapidgator
:: CBR 320 kbps ::Uploaded | TurboBit | Rapidgator
Ennio Morricone - Scusi, Facciamo L'amore? [Japan Remastered] (2006)
Artist: Ennio Morricone
Title Of Album: Scusi, Facciamo L'amore?
Year Of Release: 2006
Label: Verita Note / VQCD-10029
Genre: Soundtrack, Jazz, Psychedelic, Easy Listening
Total Time: 45:04 min
Format: Mp3 / FLAC (tracks +.cue, log-file)
Quality: CBR 320 kbps / Lossless
Total Size: 108 mb / 237 mb (Covers)
TRACKLIST:
01 - Scusi, Facciamo L'amore? (Original Single Version Side A) 1:56
02 - A Lidia (Original Single Version Side A) 3:15
03 - Scusi, Facciamo L'amore? (Between The Sheets) 1:01
04 - Scusi, Facciamo L'amore? (From Bed To Worse) 2:23
05 - Scusi, Facciamo L'amore? (Take Me Now) 1:19
06 - Scusi, Facciamo L'amore? (Dog Up A Tree) 2:24
07 - A Lidia 4:33
08 - Scusi, Facciamo L'amore? (To The Altar And Back) 1:32
09 - Scusi, Facciamo L'amore? (After The Party) 2:32
10 - Scusi, Facciamo L'amore? (Passion Play) 1:33
11 - Scusi, Facciamo L'amore? (Reprise) 2:01
12 - Scusi, Facciamo L'amore? (Lay Down, I Think I Love You) 3:45
13 - Scusi, Facciamo L'amore? (Various Troubles) 2:06
14 - Scusi, Facciamo L'amore? (Knowing The "Ins" And "Outs") 1:00
15 - A Lidia 2:36
16 - Scusi, Facciamo L'amore? (Two Cigarettes) 2:13
17 - Scusi, Facciamo L'amore? (The Big One) 2:22
18 - Scusi, Facciamo L'amore? 2:27
19 - A Lidia (Finale) 3:19
Choir – I Cantori Moderni Di Alessandroni
Composed By, Orchestrated By – Ennio Morricone
Directed By [Orchestra Directed By] – Bruno Nicolai
Other [Digitally Selected By] – Claudio Fuiano
Remastered By [Digital Remastering] – Daniel Winkler
Vocals – Edda Dell'Orso
DOWNLOAD LINKS:
:: LOSSLESS ::Uploaded | TurboBit | Rapidgator
:: CBR 320 kbps ::Uploaded | TurboBit | Rapidgator
:: LOSSLESS ::Uploaded | TurboBit | Rapidgator
:: CBR 320 kbps ::Uploaded | TurboBit | Rapidgator
VA - Henry Mancini Songbook (2007) FLAC
Artist: VA
Artist: VA
Title Of Album: Henry Mancini Songbook (Jazzclub | highlights)
Year Of Release: 2007
Label: Univеrsаl Мusiс Grоup
Genre: Jazz, Vocal Jazz, Soundtrack, Easy Listening
Quality: FLAC (image+.cue+.log)
Bitrate: Lossless
Total Time: 53:20
Total Size: 320 MB (Covers)
WebSite: Henry Mancini
Tracklist:
01. Those Fantabulous Strings / Pink Panther Theme 02:39
02. Jack Jones / Dear Heart 02:37
03. Dizzy Gillespie / Days Of Wine And Roses 02:17
04. Dinah Washington / Six Bridges To Cross 02:21
05. Dave Grusin feat. Diana Krall / Dreamsville 04:39
06. Shirley Scott / A Shot In The Dark 03:05
07. Quincy Jones & His Orchestra / Bird Brain 04:08
08. Claudine Longet / Nothing To Lose 02:22
09. Billy Eckstine / Moon River 02:36
10. Art Heatlie And The Electric Saxophone / Peter Gunn 02:23
11. Walter Wanderley feat. Marge Dodson / Wait Until Dark 02:51
12. Cal Tjader / Sally's Tomato 03:12
13. Johnny Hartman / Charade 02:34
14. Sarah Vaughan / Slow Hot Wind 03:38
15. Kai Winding / Experiment In Terror 02:22
16. The Gunter Kallmann Choir / Two For The Road 02:22
17. Bert Kaempfert & His Orchestra / Baby Elephant Walk 02:57
18. Elsie Bianchi / The Shadows Of Paris 04:09
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