biography of Lalo Schifrin

 Here's a brief biography of Lalo Schifrin:

Lalo Schifrin, born as Boris Claudio Schifrin, is a renowned Argentine composer, pianist, and conductor, born on June 21, 1932, in Buenos Aires, Argentina. He is widely recognized for his prolific contribution to music, particularly in the field of film score composition.

Schifrin began studying music at a young age and showed remarkable talent as a pianist. He studied at the prestigious Paris Conservatoire, where he honed his musical skills. During his youth, he also studied composition with Olivier Messiaen and other renowned composers.

In the 1950s, Schifrin moved to the United States, where he began working in the Hollywood film industry. He quickly emerged as a prominent composer, creating innovative film scores for a range of movies and television shows. His collaboration with director Don Siegel on the film "Coogan's Bluff" in 1968 marked the beginning of a long and fruitful partnership.

Schifrin is best known for his iconic film scores, including the theme from "Mission: Impossible," "Dirty Harry," and "Enter the Dragon," among many others. His distinctive style, which blends elements of jazz, classical music, and Latin music, has established him as one of the most influential and prolific composers of his generation.

In addition to his career in film scoring, Schifrin is also known for his work as a jazz musician and conductor. He has recorded a series of acclaimed albums and performed concerts around the world.

Throughout his career, Lalo Schifrin has received numerous awards and honors for his contributions to music, including multiple Oscar and Grammy nominations. His music continues to be appreciated and celebrated by fans worldwide, cementing his legacy as one of the greatest composers in the history of film music.

Here's a selected list of Lalo Schifrin's discography, highlighting some of his most notable albums throughout his career:

1. "Piano, Strings and Bossa Nova" (1962)

2. "Gone with the Wave" (1964)

3. "Bossa Nova: New Brazilian Jazz" (1962)

4. "Music from Mission: Impossible" (1967)

5. "More Mission: Impossible" (1968)

6. "Che!" (1969)

7. "Mannix" (1969)

8. "Dirty Harry" (1971)

9. "Enter the Dragon" (1973)

10. "Black Widow" (1987)

11. "Rush Hour" (1998)

12. "The Fox" (2018)

These are just some of the standout albums in Lalo Schifrin's extensive and diverse discography. His contributions span a wide range of musical genres, including jazz, bossa nova, and film soundtracks, and he remains an influential and respected figure in the music industry.

 Aqui está uma breve biografia de Lalo Schifrin:

Lalo Schifrin, nascido como Boris Claudio Schifrin, é um renomado compositor, pianista e maestro argentino, nascido em 21 de junho de 1932, em Buenos Aires, Argentina. Ele é amplamente reconhecido por sua prolífica contribuição para a música, especialmente no campo da trilha sonora cinematográfica.

Schifrin começou a estudar música desde jovem e mostrou talento notável como pianista. Ele estudou na famosa escola de música conservatória de Paris, Conservatoire de Paris, onde aprimorou suas habilidades musicais. Durante sua juventude, ele também estudou composição com Olivier Messiaen e outros renomados compositores.

Na década de 1950, Schifrin se mudou para os Estados Unidos, onde começou a trabalhar na indústria cinematográfica de Hollywood. Ele rapidamente se destacou como compositor, criando trilhas sonoras inovadoras para uma série de filmes e programas de televisão. Sua colaboração com o diretor Don Siegel no filme "Coogan's Bluff" em 1968 marcou o início de uma longa e frutífera parceria.

Schifrin é mais conhecido por suas trilhas sonoras icônicas, incluindo o tema de "Mission: Impossible" (Missão: Impossível), "Dirty Harry" (Perseguidor Implacável) e "Enter the Dragon" (O Dragão Chinês), entre muitos outros. Seu estilo distintivo, que combina elementos de jazz, música clássica e música latina, o estabeleceu como um dos compositores mais influentes e prolíficos da sua geração.

Além de sua carreira na composição de trilhas sonoras, Schifrin também é conhecido por sua obra como músico de jazz e maestro. Ele gravou uma série de álbuns aclamados e realizou concertos em todo o mundo.

Ao longo de sua carreira, Lalo Schifrin recebeu inúmeros prêmios e honrarias por suas contribuições para a música, incluindo múltiplas indicações ao Oscar e ao Grammy. Sua música continua a ser apreciada e celebrada por fãs em todo o mundo, solidificando seu legado como um dos maiores compositores da história da música cinematográfica.

Lalo Schifrin - Dirty Harry's theme

 "Dirty Harry" is a 1971 American neo-noir action-thriller film directed by Don Siegel, starring Clint Eastwood as the title character, Harry Callahan. Here's a brief description of the film:

"Dirty Harry" follows the story of Inspector Harry Callahan, a tough and uncompromising San Francisco police detective, who becomes embroiled in a cat-and-mouse game with a psychotic serial killer known as Scorpio. Scorpio starts terrorizing the city with a series of brutal murders and demands ransom to stop his killing spree. As the body count rises, Callahan, known for his unorthodox methods, is assigned to track down Scorpio and bring him to justice. However, Callahan faces ethical dilemmas as he battles with the bureaucracy and his own conscience while trying to stop Scorpio's reign of terror. The film explores themes of justice, morality, and the limits of law enforcement in the pursuit of a relentless and sadistic criminal.

"Dirty Harry" is celebrated for its gritty atmosphere, intense action sequences, and Eastwood's iconic portrayal of the no-nonsense detective. It has become a classic of the crime thriller genre and has left a lasting impact on popular culture.

"Dirty Harry's Theme" é uma das composições mais emblemáticas do renomado compositor argentino Lalo Schifrin, criada para o filme "Dirty Harry" (br: "Perseguidor Implacável"), dirigido por Don Siegel em 1971 e estrelado por Clint Eastwood. A trilha sonora é conhecida por seu riff de piano distinto e sua atmosfera intensa, capturando perfeitamente a energia e a tensão do filme. Lalo Schifrin é conhecido por suas contribuições icônicas para o mundo da música cinematográfica, e "Dirty Harry's Theme" certamente se destaca como uma de suas obras mais memoráveis.

 Além da icônica "Dirty Harry's Theme", a trilha sonora do filme "Dirty Harry" conta com outras músicas compostas por Lalo Schifrin. Aqui estão algumas delas:

1. "Main Title" - Esta é a faixa principal que apresenta o tema principal do filme, conhecido como "Dirty Harry's Theme".

2. "Schoolyard" - Uma peça que provavelmente acompanha as cenas que se passam na escola.

3. "The Swimming Pool" - Uma música que pode acompanhar as cenas que envolvem a piscina.

4. "The Face of San Francisco" - Uma faixa que pode ser usada para estabelecer o cenário da cidade de San Francisco, onde o filme se passa.

5. "The School Bus" - Uma música que provavelmente acompanha as cenas que envolvem um ônibus escolar.

6. "Scorpio's Theme" - Esta é a música associada ao vilão do filme, Scorpio.

Essas são algumas das faixas principais da trilha sonora de "Dirty Harry", todas compostas por Lalo Schifrin para criar a atmosfera única do filme.

Lalo Schifrin - Magnum Force [1973]

"Magnum Force" is a 1973 American action film directed by Ted Post, and it is the second installment in the "Dirty Harry" film series. Lalo Schifrin composed the score for this film as well. The story revolves around Inspector Harry Callahan, once again portrayed by Clint Eastwood, who investigates a series of murders committed by a vigilante motorcycle cop squad targeting criminals who have escaped justice. As Harry delves deeper into the case, he discovers a conspiracy within the police force and faces moral dilemmas about vigilantism and the limits of the law. "Magnum Force" continues the gritty and suspenseful tone of its predecessor, featuring intense action sequences and Schifrin's evocative musical score to enhance the atmosphere of the film.

"Magnum Force" é um filme de ação americano de 1973 dirigido por Ted Post, sendo a segunda parte da série de filmes "Dirty Harry". Lalo Schifrin compôs a trilha sonora para este filme também. A história gira em torno do Inspetor Harry Callahan, mais uma vez interpretado por Clint Eastwood, que investiga uma série de assassinatos cometidos por um esquadrão de policiais motociclistas vigilantes que visam criminosos que escaparam da justiça. Conforme Harry aprofunda sua investigação, ele descobre uma conspiração dentro da própria polícia e enfrenta dilemas morais sobre o vigilantismo e os limites da lei. "Magnum Force" mantém o tom sombrio e suspense do seu antecessor, apresentando sequências de ação intensas e a trilha sonora evocativa de Schifrin para aprimorar a atmosfera do filme.

 Here's a list of main themes in "Magnum Force":

1. **Vigilantism**: The film explores the issue of vigilantism, with the motorcycle cop squad taking justice into their own hands and eliminating criminals without trial.

2. **Police Conspiracy**: The plot reveals a conspiracy within the police force, where some officers are involved in the murders committed by the vigilante squad.

3. **Morality vs. Justice**: Clint Eastwood's character, Harry Callahan, grapples with moral dilemmas about what is right and wrong, especially when confronted with the brutality of the methods employed by the vigilante squad.

4. **Law and Order**: The film questions the limits of law enforcement and how far justice can be sought outside established legal procedures.

5. **Corruption**: The story also addresses corruption within the police force, showing how some officers deviate from their duties to serve their own interests or agendas.

6. **Professional Ethics**: Harry Callahan is portrayed as a dedicated police officer, but also as someone who faces ethical dilemmas in his work, especially when confronted with corruption within the institution he serves.

These are some of the central themes explored in "Magnum Force," which contribute to the complexity and depth of the film's storyline.

Certainly! Here are some of the tracks from the soundtrack of "Magnum Force," composed by Lalo Schifrin, that contribute to the atmosphere of the film:

1. "Main Title" - This is the main track that introduces the film's theme and sets the tone for the story.

2. "The Cop Parade" - A music piece that may accompany scenes of a police parade or moments of celebration within the community.

3. "Death at the Drive-In" - A track likely accompanying an action or tense scene during an event at the drive-in cinema.

4. "Training Montage" - A piece of music that could accompany training or preparation scenes for the characters.

5. "The Set-Up" - A track that creates a suspenseful atmosphere and anticipates imminent action.

6. "The Chase" - An energetic piece that may accompany exciting chase scenes.

These are just a few of the tracks that make up the soundtrack of "Magnum Force," all composed by Lalo Schifrin to complement the film's narrative and enhance the viewer's experience.

Calibro 35 - Said OST (2013)

"Calibro 35 - Said OST (2013)" refers to the soundtrack composed by the Italian group Calibro 35 for the film "Said," released in 2013. Calibro 35 is an instrumental music band that combines elements of funk, jazz, rock, and electronic music in their compositions. Their unique and vibrant approach to musical composition has made them a significant force in the contemporary music scene.

The soundtrack album "Said OST" features a collection of tracks that were specifically created for the film "Said." Calibro 35's music is known for its captivating energy, pulsating grooves, and cinematic atmosphere, making it a natural fit for film soundtracks. With this album, the band demonstrates their ability to create an immersive sonic landscape that complements the visual narrative of the film.

"Said" is a film directed by Joseph Malek, set in Italy, and tells a story of suspense and intrigue. Calibro 35's soundtrack adds an additional layer of intensity and emotion to the cinematic experience, contributing to the film's unique atmosphere and aesthetic.

In summary, "Calibro 35 - Said OST (2013)" is an impressive soundtrack that showcases the talent and versatility of the Italian group Calibro 35. Their collaboration with the film "Said" adds an exciting dimension to the cinematic work.

"Calibro 35 - Said OST (2013)" refere-se à trilha sonora composta pelo grupo italiano Calibro 35 para o filme "Said", lançado em 2013. Calibro 35 é uma banda de música instrumental que combina elementos de funk, jazz, rock e música eletrônica em sua música. Sua abordagem única e vibrante para a composição musical os tornou uma força significativa na cena musical contemporânea.

O álbum da trilha sonora "Said OST" apresenta uma coleção de faixas que foram criadas especificamente para o filme "Said". A música do Calibro 35 é conhecida por sua energia cativante, grooves pulsantes e atmosfera cinematográfica, o que a torna uma escolha natural para trilhas sonoras de filmes. Com este álbum, a banda demonstra sua habilidade em criar uma paisagem sonora envolvente que complementa a narrativa visual do filme.

"Said" é um filme dirigido por Joseph Malek, que é ambientado na Itália e narra uma história de suspense e intriga. A trilha sonora de Calibro 35 adiciona uma camada adicional de intensidade e emoção à experiência cinematográfica, contribuindo para a atmosfera única e a estética do filme.

Em suma, "Calibro 35 - Said OST (2013)" é uma trilha sonora impressionante que destaca o talento e a versatilidade do grupo italiano Calibro 35, e sua colaboração com o filme "Said" adiciona uma dimensão emocionante à obra cinematográfica.

 1. Said Titoli (3:29) 
2. Ragazzo Di Strada (feat. Manuel Agnelli) (2:41) 
3. Tema Di Blue (3:44) 
4. Notte Di Violenza (3:29) 
5. Tensione (2:15) 
6. Locale (6:30) 
7. Don Vito (3:22) 
8. Prologo (1:17) 
9. Erotismo (3:02) 
10. Tema Del Rosso (4:33) 
11. Finale Said (2:35) 
12. Sbirri! (Remix) (2:15) 
13. Risoluzione (1:46) 
14. Sangue dal Sol Levante (2:02) 
15. Sbirri! (2:38) 16. Rissa (0:56) 
17. Citta’ al Plasma (3:44)

Henry Mancini – The Pink Panther (1989)

 

 

“

The original Blake Edwards film was released in 1963 and achieved worldwide success. Its soundtrack is definitely one of the great creations of Mancini. The 1989 CD features twelve original songs, although after 2001 have been published in other CDs with expanded repertoire that distort the content of the original work. The skill and compositional genius of Mancini unfold luxuriously melodies with rhythms such as bolero rumba, slow, samba, twist, chacha or slowfox that in some cases show airs jazz.

”

Track list:

1. The Pink Panther theme
2. It had better be tonight (instrumental)
3. Royal blue
4. Champagne and quail
5. The village inn
6. The Tiber twist
7. It had better be tonight (vocal)
8. Cortina
9. The lonely princess
10. Something for Sellers
11. Piano and strings
12. Shades of Sennett

 

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Ennio Morricone - Once Upon A Time In America 1984 [Special Edition] (1998)

Tracklist:

01. Once Upon A Time In America (2:15)
02. Poverty (3:39)
03. Deborah's Theme (4:28)
04. Childhood Memories (3:25)
05. Amapola (5:23)
06. Friends (1:38)
07. Prohibition Dirge (4:24)
08. Cockeye's Song (4:24)
09. Amapola Part II (3:10)
10. Childhood Poverty (1:43)
11. Photographic Memories (1:02)
12. Friends (1:26)
13. Friendship & Love (4:18)
14. Speakeasy (2:26)
15. Deborah's Theme - Amapola (6:18)
16. Suite from Once Upon A Time In America (13:38)
17. Poverty (temp. version) (3:29)
18. Unused Theme (4:50)
19. Unused Theme (version 2) (3:39)

Bernard Herrmann - The Day The Earth Stood Still: Original Film Score (1951/1993) [The Classic Series]

 

 

 

 

 

“

This is the movie that gave us the phrase "Klaatu barada nikto!" As befits the film that kicked off the Atomic Age's obsession with flying saucers and giant robots, Bernard Herrmann's score is the last word in 1950s sci-fi. Although many of its elements have become cliches over the years, the original has lost none of its power. Thanks to the many eerie, theremin-drenched passages, it's almost impossible to hear that instrument without thinking about guys in space suits. Other great moments: tinkling space pianos, ominous robot monster chords, and weird, plangent orchestrations. One of Herrmann's most visionary and influential scores. Review by Heidi MacDonald, Amazon.com

”

“

Amidst all the endless issues and reissues of the standard repertoire, there are still recordings released of the less-than-standard repertoire, of the masses of Ockeghem, of the symphonies of Krauss, and of the songs of Hahn. But of all the projects dedicated to the less-than-standard repertoire, perhaps the most needful and certainly the most interesting is Varese Sarabande's series of recordings of the film scores of Bernard Herrmann. Herrmann's scores are not only supremely effective as soundtracks, but extremely evocative and even deeply moving as pieces of music, and listening to the scores for Vertigo or Citizen Kane is as involving and exciting as listening to the Four Seasons or the 1812 Overture. But in most cases, Herrmann's scores are either recorded only in parts or unrecorded altogether, and it was not until Varese Sarabande began its Herrmann series that many of his complete scores could be heard. This 2002 recording of the complete score of Herrmann's The Day the Earth Stood Still conducted by Joel McNeely is the first recording of all the music for the score -- even the original soundtrack only includes 18 of its 33 cues. And like the previous nine titles in the series, it is magnificent. McNeely and his 30-piece orchestra of brass, percussion, keyboards, and Theremin perform as well and often better than Herrmann's own recording and producer Robert Townson's superlative sound that is far, far better than the sound of the original 1951 recording. The score itself is wonderful: vivid, colorful, terrifying, awe-inspiring, and always and everywhere gripping. For anyone who likes film scores in general, or Herrmann's scores in particular, this disc is mandatory. And for anyone who simply likes great music, this disc will be a welcome relief from the standard repertoire. Review by James Leonard, Allmusic.com

”

Composer Biography
Composer at Wiki

Film at IMDB
Film at Wiki

Tracklist:
01. Twentieth Century Fox Fanfare (0:13) (by Alfred Newman)
02. Prelude/Outerspace/Radar (3:50)
03. Danger (0:25)
04. Klaatu (2:17)
05. Gort/The Visor/The Telescope (2:26)
06. Escape (0:55)
07. Solar Diamonds (1:07)
08. Arlington (1:13)
09. Lincoln Memorial (1:32)
10. Nocturne/The Flashlight/The Robot/Space Control (6:02)
11. The Elevator/Magnetic Pull/The Study/The Conference/The Jewelry Store (4:33)
12. Panic (0:46)
13. The Glowing/Alone/Gort's Rage/Nikto/The Captive/Terror (5:15)
14. The Prison (1:44)
15. Rebirth (1:42)
16. Departure (0:55)
17. Farewell (0:35)
18. Finale (0:31)

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Vladimir Cosma - Diva: Bande Originale Du Film (1981/1993) [Original Soundtrack]

 

 

 

 

 

 

 

“

The 1981 Jean-Jacques Beineix film Diva is a dizzying cornucopia of delights, with a strong sense of urban cool and a cast of characters whose alternating detachments and obsessions hint at the legacy of pain and loneliness that helped form them. Its score, composed by Vladimir Cosma, is inseparable from the film, which, after all, is about music itself, and the ways that it links to desire and longing. From the beautiful arias of Wilhemina Wiggins Fernandez (who plays an opera singer in the film) to the eerie, achingly beautiful instrumental pieces composed by Cosma to set the mood for images of rain-slicked streets, Taiwanese music pirates, teenaged Vietnamese thieves, jaded middle-aged art sages, motorbikes and car chases, the score for Diva remains one of Cosma's masterpieces, a perfect companion to a film that became an international underground hit. This edition celebrates the 20th anniversary of the film -- which has held up remarkably well considering it was initially a commercial and critical flop. Cosma's score seems steeped in gritty '80s punk mojo, while remaining completely stylish and refined. Eight new tracks are included and thorough liner notes, including interviews with Beineix and Cosma, make this an album worth picking up. Review by Stacia Proefrock, Allmusic.com

”

Tracklist:
01. La Wally (A. Catalani - argt V. Cosma) (03:35)
02. Promenade Sentimentale (piano solo: V. Cosma) (02:39)
03. Voie Sans Issue (03:07)
04. Gorodish (03:04)
05. Le zen dans l'art de la tartine (02:06)
06. Ave Maria (C. Gounod) (01:39)
07. La Wally (version instrumentale) (03:08)
08. Promenade Sentimentale 2 (piano solo: V. Cosma) (03:35)
09. Lame de Fond (04:24)
10. Metro Police (02:36)
11. L'Usine Desaffectee (03:11)
12. Le Cure et l'antillais (01:32)
13. Tuileries sous la Pluie (piano: V. Cosma) (01:29)
14. Prelude de la Suite en Re mineur BWV 1005 (J.S. Bach, violoncelle solo: H. Varron) (01:12)
15. La Baignoire et la Mer (02:22)
16. J'aime pas les Ascenseurs (02:30)
17. La Wally (A. Catalani - argt V. Cosma, Piano solo: R. Allessandrini) (03:03)
18. Le Chien de M. Michel (02:50)

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-11-04 20:27:35

--------------------------------------------------------------------------------
Analyzed: J.S. Bach / Diva (1)
Vladimir Cosma - by Wilhelmenia Wiggins Fernandez / Diva (2-3)
Vladimir Cosma / Diva (4-18)
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -7.02 dB -22.57 dB 1:12 14-Prelude de la Suite en Re mineur BWV 1005 (violoncelle solo: H. Varron)
DR10 -1.27 dB -16.02 dB 3:36 01-La Wally
DR7 -7.18 dB -20.40 dB 1:29 13-Tuileries sous la Pluie (piano: V. Cosma)
DR13 -6.19 dB -23.55 dB 2:39 02-Promenade Sentimentale (piano solo: V. Cosma)
DR13 0.00 dB -15.26 dB 3:08 03-Voie Sans Issue
DR12 -2.75 dB -20.33 dB 3:04 04-Gorodish
DR10 -3.16 dB -18.96 dB 2:07 05-Le zen dans l'art de la tartine
DR9 -2.12 dB -16.45 dB 1:40 06-Ave Maria
DR12 -5.26 dB -22.55 dB 3:08 07-La Wally (version instrumentale)
DR14 -2.68 dB -21.21 dB 3:36 08-Promenade Sentimentale 2 (piano solo: V. Cosma)
DR12 -7.06 dB -22.10 dB 4:24 09-Lame de Fond
DR13 -5.25 dB -22.18 dB 2:37 10-Metro Police
DR10 -6.81 dB -21.94 dB 3:12 11-L'Usine Desaffectee
DR11 -9.28 dB -24.28 dB 1:32 12-Le Cure et l'antillais
DR14 -7.24 dB -25.81 dB 2:22 15-La Baignoire et la Mer
DR15 -6.39 dB -24.23 dB 2:30 16-J'aime pas les Ascenseurs
DR15 -0.22 dB -20.74 dB 3:03 17-La Wally (Piano solo: R. Allessandrini)
DR16 -4.00 dB -23.62 dB 2:50 18-Le Chien de M. Michel
--------------------------------------------------------------------------------

Number of tracks: 18
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 688 kbps
Codec: FLAC
================================================================================

Bernard Herrmann - Psycho: The Complete Original Motion Picture Score - First Complete Recording (1960/1997)

 

                   

 

 

“

Varese's original soundtrack to Psycho finds Joel McNeely conducting the Royal Scottish National Orchestra through Bernard Herrmann's classic original score. This album is the first time the entire score has been recorded for an album and its remarkable how eerie and evocative the music is, even when its separated from the film. Psycho stands as one of Herrmann's finest moments, and even if many collectors and film buffs would prefer the original soundtrack recording, this version is essential for fans of the composer, since it is the clearest, cleanest edition of score yet produced. Review by Stephen Thomas Erlewine, Allmusic.com

”

Composer Biography
Composer at Wiki

 

Film at IMDB
Film at Wiki

Tracklist:

01. Prelude (01:56)
02. The City (02:12)
03. Marion (01:35)
04. Marion and Sam (01:53)
05. Temptation (02:51)
06. Flight (01:08)
07. Patrol Car (01:06)
08. The Car Lot (01:45)
09. The Package (01:31)
10. The Rainstorm (03:11)
11. Hotel Room (02:04)
12. The Window (01:12)
13. The Parlor (01:38)
14. The Madhouse (01:54)
15. The Peephole (03:02)
16. The Bathroom (01:02)
17. The Murder (01:03)
18. The Body (00:17)
19. The Office (01:20)
20. The Curtain (01:15)
21. The Water (01:45)
22. The Car (00:52)
23. Cleanup (02:15)
24. The Swamp (02:04)
25. The Search (00:41)
26. The Shadow (00:50)
27. Phone Booth (00:54)
28. The Porch (01:04)
29. The Stairs (02:58)
30. The Knife (00:30)
31. The Search (B) (01:40)
32. The First Floor (02:45)
33. Cabin 10 (01:09)
34. Cabin 1 (01:06)
35. The Hill (01:05)
36. The Bedroom (00:59)
37. The Toys (01:02)
38. The Cellar (01:06)
39. Discovery (00:41)
40. Finale (01:32)

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BernHerrmann.Psycho.FLAC.rar

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Roy Budd - Get Carter: Original Motion Picture Soundtrack & The Remix Album (1971/2000) 2CD Special Edition

 

 

 

 

 

 

 

“

Remastered special edition soundtrack to the British gangster film, a cult favorite and arguably Roy Budd's finest work, it was originally released in 1971 and stars Michael Caine. Includes enhanced dialogue plus a bonus disc of remixes, 'Breakneck' (7' Edit, Rob's Old School Mix, Deadly Avenger Remix), 'Dope On A Rope' (12' Remix and Gentleman Thief Remix), 'De Few' ('2 Smoking Barrels Remix'-12' and Full Vision Remix-'Carter Express'), 'Lionrock' (Justin Robertson Remix, Andy H. & Full Vision Remix)-'Just Call Me Full' and 'Breakneck' ('Dirtbox Remix'-featuring Phil Dirtbox).

”

“

This double-disc special edition soundtrack summarizes everything that made Mike Hodges' groundbreaking 70's revenge film a cult classic. This soundtrack is mandatory for any fan of the film or of talented composer Roy Budd whose haunting theme is highlighted throughout the album with dialogue samples from the film selectively placed between music cues capturing the gritty atmosphere of Michael Cain's uber-cool Jack Carter. In addition, this album includes a bonus remix CD featuring 10 tracks remixed by some of the most talented techno DJ's world wide and take Roy Budd's main theme to a new level, eclipsing Tyler Bates electronic reworking for the disappointing Stallone remake. This special edition import CD is beautifully packaged in a glossy gatefold sleeve featuring liner notes booklet with stunning cover artwork and photographs capturing the essence of the quintessential film. It is worth every penny (or shilling) to purchase this import version instead of the standard version which includes 28 tracks, 3 more than the standard edition which are basically just additional dialogue samples from the film, however the instrumental version of Getting Nowhere In A Hurry is absent from this edition. I own both versions and the special edition is by far the best, the rarest, and geared for the collector so go get yourself some Carter! Review by Dave Cordes, Amazon.com

”

“

Excepting only the work of the great Lalo Schifrin, Roy Budd's Get Carter was the best theme in the lucrative world of spy/gangster/heist soundtracks from the late '60s and early '70s. Underpinning the tense strength of director Mike Hodges' film about a hit man turned avenging angel, the film's main theme ("Carter Takes a Train") is a paranoid, hallucinatory title that deftly played up the menace of Michael Caine's character. Interested parties who've only heard the legend of Get Carter, however, may not find much else to interest them; those who've seen it can carry a bit more, but most of these tracks are titles to a film, and don't escape the period feel. The fine collections Rebirth of the Budd or Buddism are both better purchases toward understanding the brilliance of Roy Budd. Review by John Bush, Allmusic.com

”

Roy Budd Biography
Roy Budd at Wiki

Film at IMDB
Film at Wiki

Tracklist:
CD1: Get Carter - Original Motion Picture Soundtrack:

01. Intro (00:35)
02. Dialogue (00:17)
03. Main Theme - Carter Takes A Train (02:57)
04. Dialogue (00:36)
05. Looking For Someone (02:32)
06. Dialogue - The Race Track (01:29)
07. Something On My Mind (04:13)
08. Dialogue (00:51)
09. Getting Nowhere In A Hurry (03:09)
10. Dialogue (01:03)
11. The Girl In The Car (02:25)
12. Dialogue (02:14)
13. Love Is A Four Letter Word (02:39)
14. Dialogue (00:58)
15. Livin' Should Be This Way (03:15)
16. Dialogue (00:18)
17. Manhunt (02:50)
18. Dialogue (01:20)
19. Goodbye Eric! (00:48)
20. Dialogue (00:05)
21. Hallucinations (04:30)
22. Dialogue (00:40)
23. Plaything (02:32)
24. Dialogue (00:09)
25. Goodbye Carter! (03:40)
26. Dialogue (00:03)
27. Hallucinations - Snoitanicullah (Instrumental) (04:23)
28. Dialogue (00:51)

CD2: Get Carter - The Remix Album:

01. Breakneck - 7' Edit (03:59)
02. Rob's Old School Mix (06:31)
03. Deadly Avenger Remix (04:52)
04. Dope On A Rope - 12' Remix (06:02)
05. Gentleman Thief Remix (05:11)
06. De Few - 2' Smoking Barrels Remix' (06:03)
07. Full Vision Remix - 'Carter Express' (05:00)
08. Lionrock (Justin Robertson) Remix (03:55)
09. Andy H. & Full Vision Remix - 'Just Call Me Full' (04:50)
10. Breakneck - 'Dirtbox Remix' - featuring Phil Dirtbox (07:44)

Password: designol
RoyBudd.GetCarter.CD1.flac.rar
RoyBudd.GetCarter.CD1.mp3.rar

RoyBudd.GetCarter.CD2.flac.rar
RoyBudd.GetCarter.CD2.mp3.rar

RoyBudd.GetCarter.scans.rar

Inside Llewyn Davis [Original Soundtrack Recording] (2013)

Artist: VA
Title Of Album: Inside Llewyn Davis
Year Of Release: 2013
Label: Nonesuch
Genre: folk, original soundtrack
Quality: MP3
Bitrate: 320 kbps
Total Time: 41:56
Total Size: 102 MB

Tracklist:

1. Oscar Isaac – “Hang Me, Oh Hang Me”
2. Marcus Mumford & Oscar Isaac – “Fare Thee Well (Dink’s Song)”
3. Stark Sands with Punch Brothers – “The Last Thing on My Mind”
4. Justin Timberlake, Carey Mulligan and Stark Sands – “Five Hundred Miles”
5. Oscar Isaac, Justin Timberlake and Adam Driver – “Please Mr. Kennedy”
6. Oscar Isaac – “Green, Green Rocky Road”
7. Oscar Isaac – “The Death of Queen Jane”
8. John Cohen with The Down Hill Strugglers – “The Roving Gambler”
9. Oscar Isaac with Punch Brothers – “The Shoals of Herring”
10. Chris Thile, Chris Eldridge, Marcus Mumford, Justin Timberlake, Gabe Witcher – “The Auld Triangle”
11. Nancy Blake – “The Storms Are on the Ocean”
12. Oscar Isaac – “Fare Thee Well (Dink’s Song)”
13. Bob Dylan – “Farewell”
14. Dave Van Ronk – “Green, Green Rocky Road”

Uploaded

Turbobit

Vladimir Cosma - Cosma Cinema Collection Vol. 22: Films de Claude Zidi (2001)

“

Cosma Cinema Collection Vol. 22 includes the soundtracks to films by Claude Zidi: Inspecteur la Bavure, Banzaï, Les Rois Du Gag, L'aile ou la cuisse, Vous n'aurez pas l'Alsace et la Lorraine.

”

“

One of France and Europe's most distinguished film composers, Vladimir Cosma scored more than 150 films and TV productions. Although he enjoyed almost immediate success in comedies, he continued to experiment with different styles and genres, and this versatility brought him wide international acclaim. Born on April 13, 1940, in Bucharest, Romania, to the family of a renowned conductor and concert pianist, Cosma studied music from his early years onward, eventually attending the National Conservatory in Bucharest (from which he graduated with two first prizes, for violin and composition). In 1963, he went to Paris to advance his studies at the French Conservatory, where, in addition to his classical background, he developed an interest in jazz, folk music, and film music. Between 1964 and 1967, he toured the world as a concert violinist, visiting the U.S., Latin America, and Southeast Asia. A meeting with popular film composer Michel Legrand became the first step toward his future career. Cosma always credits Legrand's importance, though he also admits the influence of such composers as Burt Bacharach and Henry Mancini. In 1967, he began his long-running partnership with film director Yves Robert, for whom he scored the international hits Alexandre (1967), The Tall Blond With One Black Shoe (1972), and The Return of the Tall Blond (1974), as well as the critically acclaimed dramas My Father's Glory and My Mother's Castle (both in 1990). He also wrote the music for several comedies directed by Francis Veber and Gerard Oury, starring such hit French comedians as Pierre Richard and Louis de Funes. One of his biggest international hits was the Erik Satie-inspired soundtrack for Diva (1981), for which he was awarded his first Cesar (the French equivalent of the Oscar). He received another Cesar for Le Bal (1983), and the main instrumental theme from it became a substantial hit worldwide. Among the other awards given to Vladimir Cosma are the Sept d'Or, the French TV award for L'ete '36 (1986), and a Cannes Film Festival award for the entire body of his work. Yuri German, Allmusic.com

”

Vladimir Cosma at Wiki

Claude Zidi at IMDB
Claude Zidi at Wiki

Tracklist:

L'inspecteur Labavure

01. Generique (L'inspecteur Labavure) (02:39)
02. Substitution (L'inspecteur Labavure) (04:22)
03. Traffic (L'inspecteur Labavure) (02:05)
04. La reconstitution (L'inspecteur Labavure) (01:24)
05. Big bavure (L'inspecteur Labavure) (01:56)

Banzaï

06. Banzai rapshodie (Banzai) (05:31)
07. Rhapsodie in Bronx (Banzai) (03:06)
08. Sur la route de Tunis (Banzai) (01:04)
09. Hong Kong flirt (Banzai) (01:45)
10. Hot dog (Banzai) (02:09)
11. SOS Planete (Banzai) (01:08)
12. Le monstre (Banzai) (01:12)
13. Ben Zidi melodie (Banzai) (03:22)

Les rois du gag

14. Les rois du gag (Les rois du gag) (03:08)
15. Gaetan (Les rois du gag) (01:37)
16. Cabine de Plage (Les rois du gag) (00:59)
17. Paul et Francois (Les rois du gag) (01:02)
18. Don Welson Corleone (Les rois du gag) (01:52)
19. Prise d'otage (Les rois du gag) (01:25)
20. Le dernier homme (Les rois du gag) (05:43)
21. Alexandra (Les rois du gag) (01:00)

L'aile ou la cuisse

22. Concerto gastronomique (L'aile ou la cuisse) (03:04)
23. Tarte a la creme (L'aile ou la cuisse) (02:00)
24. L'usine Tricatel (L'aile ou la cuisse) (01:42)
25. Jumbo l'elephant (L'aile ou la cuisse) (02:59)
26. Conecerto gastronomique (allege) (L'aile ou la cuisse) (02:58)

Vous n'aurez pas l'Alsace et la Lorraine

27. Chanson du Chevalier Blanc (Vous n'aurez pas l'Alsace et la Lorraine) (01:45)
28. Theme des Mousquetaires (Vous n'aurez pas l'Alsace et la Lorraine) (01:54)
Password: designol

Cosma.Vol22.Zidi.flac.part1.rar
Cosma.Vol22.Zidi.flac.part2.rar

Cosma.Vol22.Zidi.mp3.rar

Cosma.Vol22.Zidi.scans.rar

ZÉ RODRIX - MOTEL

Musica que fez parte da Trilha sonora do filme Motel.

Lalo Schifrin - Cool Hand Luke: Original Soundtrack Recording (1967/2001)

 

“

With an iconic, Academy Award®-nominated lead performance by Paul Newman as the free spirit who refuses to be broken by cruel Southern justice, director Stuart Rosenberg's Cool Hand Luke has rightly taken its place as a modern American classic. One of the key elements to the film's deft balance of drama and humor is also its most unlikely: the Oscar®-nominated score of Argentine-born composer Lalo Schifrin. As he's done throughout a career that's moved gracefully between jazz recordings, classical podiums, and scoring stages, Schifrin's music fuses seemingly disparate genres--bluegrass, symphonic, rhythmic jazz--into a soundtrack that evokes them all yet becomes distinctly more than the sum of its parts. Given that gratifying sensibility, it's a soundtrack full of surprising twists and turns, crackling with energy. Such is its dynamic nature that one reedited cut ("Tar Sequence") has taken on a second life as the ubiquitous "Eyewitness News" theme music at local TV stations across America.

”

“

Of all the film scores Lalo Schifrin has composed -- good and bad, and yes, he's done some stinkers -- the score to Stuart Rosenberg's 1967 film Cool Hand Luke, a star vehicle for Paul Newman, is among his greatest achievements. First, there is the score itself, pure cinema in scope, breadth, and architecture. Next is its attempted marriage to bluegrass music -- not entirely successful, but pretty great anyway -- and finally there is Schifrin's attempt to offer an actual view of the character through the score, not just provide a series of incidentals to accompany the movement of a plot. The complexities of Newman's Luke are borne out in a score that works futuristic themes (like the CNN-meets-Star Trek music for the "Tar Sequence," the most problematic in the film), gorgeous jazz elements (just check out "Lucille," a seductive love theme if there ever was one), and bluegrass concepts into a framework where they were needed but would be obtrusive no matter where they were placed -- like Luke himself. This shows through loud and clear on "Egg-Eating Contest," even if Schifrin's sensibilities run closer to Jobim than Bill Monroe. There is also the delightful, Stephen Foster-ish theme called "Plastic Jesus," with Tommy Tedesco playing a sweet banjo and guitar over a lush, melancholy string arrangement. It's here that the drama in the film turns into the only fate a character like Luke can have befall him. Immediately after this beautiful interlude comes a heavily reverbed psychedelic banjo that threatens to rip the insides out of "Foggy Mountain Breakdown," but instead becomes a suspenseful meditation on clarity called "I Got My Mind Back." The knowledge of all that transpired previously is clearly in every wash of the strings over the harp. "Ballad of Cool Hand Luke" is heard as the beginning of the last third of the film comes into play. A harmonica carries its melody against a backdrop of horns, electric guitars, and percussion. It's almost like Fred Neil's "Everybody's Talkin'," as scored by Jobim during his Warner Bros. period. As "Dog Boy" begins to signal the beginning of the end, brass and a rumbling piano challenge one another momentarily as a wash of strings and a bongo find their place in the mix to carry its drama. The castanets spot-check the horns and winds, changing the dynamic from tense to unbearable, and escalating that sensation three times inside as many minutes. Here, though, the end title doesn't end the score: There are bonuses that weren't part of the original film. As the reverie of the end title played so simply by Tommy Tedesco becomes a poignant memory of the film's hero and his struggle -- as well as his laughter -- listeners will find themselves wanting more, as did viewers of the film. Here, after the soundtrack is over, Lalo and Donna Schifrin have provided listeners with two large bonuses: One is a gorgeous symphonic sketch -- almost seven minutes long -- of the various themes in Cool Hand Luke, and the other is a lost treasure, the original recording of "Down Here on the Ground," recorded by everybody from Wes Montgomery to Gerald Wilson to Oscar Peterson. It's a straight-up jazz melody, languid, wistful, and beautiful in its elegantly swinging whispers and sliding, dancing grace. What a bonus! This makes Cool Hand Luke, in stunning 24-bit remastered sound, an essential soundtrack in the library of any serious -- or casual for that matter -- film music collector. Review by Thom Jurek, Allmusic.com

”

Tracklist:
01. Main Title (02:06)
02. Tar Sequence (03:11)
03. Just a Closer Walk With Thee (02:54)
04. Chase (03:17)
05. Lucille (02:45)
06. Egg Eating Contest (02:57)
07. Eye-Ballin Glasses (02:24)
08. Arletta Blues (02:53)
09. Criss-crossing the Fence (02:19)
10. Plastic Jesus (01:56)
11. Got My Mind Back (03:08)
12. Ballad of Cool Hand Luke (02:34)
13. The First Morning (01:49)
14. Bean Time (01:10)
15. Road Gang (01:48)
16. Radio in Barracks (01:47)
17. Dog Boy (03:09)
18. End Title (02:13)
19. Symphonic Sketches of Cool Hand Luke (06:56)
20. Down Here on the Ground (Symphonic Version) (05:59)

Johnny Mandel - The Sandpiper: Original Motion Picture Soundtrack (1965/1996)

 

“

The film The Sandpiper is best-remembered today for Johnny Mandel's "The Shadow of Your Smile". Its soundtrack CD has 11 pieces on it, ten of which are variations of that one melody. Other than a straightforward version of the theme that features a vocal group, Jack Sheldon's trumpet is prominent throughout much of the haunting score; the one exception to the moody music is the brief R&Bish "Bird Bath" which was used in a nightclub scene. Otherwise this CD's value to listeners depends largely on how much one enjoys "The Shadow of Your Smile". Review by Scott Yanow, Allmusic.com

”

Johnny Mandel Biography
Johnny Mandel at Wiki

Film at IMDB
Film at Wiki

Tracklist:

01. The Shadow Of Your Smile (Vocal) (01:54) - Music by Johnny Mandel, Lyrics by Paul Francis Webster
02. Main Title (04:15)
03. Desire (02:27)
04. Seduction (05:00)
05. San Simeon (04:14)
06. Weekend Montage (04:28)
07. Baby Sandpiper (03:51)
08. Art Gallery (05:35)
09. End Title (02:36)
10. Bird Bath (02:14)
11. Weekend Montage (unedited version) (04:59) CD bonus track

Password: designol

JMandel.The.Sandpiper.OST.FLAC.rar

JMandel.The.Sandpiper.OST.mp3.rar

Dimitri Tiomkin - 55 Days At Peking: Expanded Original Motion Picture Soundtrack (1963/2011) 2CD Limited Edition

 

 

 

“

La-La Land Records and Sony Music presents the remastered and expanded 2-CD SET of legendary composer Dimitri Tiomkin’s (SHADOW OF A DOUBT, GIANT, RIO BRAVO, THE OLD MAN AND THE SEA) score to the 1963 motion picture epic 55 DAYS AT PEKING, starring Charlton Heston, Ava Gardner and David Niven, directed by Nicholas Ray. Tiomkin's robust orchestral score, regarded as one of his finest works, soars with excitement and boundless creativity. Expanded by well over an hour beyond its original LP release, this comprehensive re-issue contains additional material that was not used in the final cut of the film. Produced by Didier C. Deutsch and Mark G. Wilder, and mastered by Mark G. Wilder from recently discovered Sony Music vault elements, this release is a must for all golden age score enthusiasts. The handsome 24-Page booklet contains exclusive, in-depth liner notes by film music writer Frank K. DeWald. This is a limited edition of 2500 units.

”

“

55 DAYS AT PEKING was the third epic film created by Samuel Bronston in Spain, originally released in 1963. This superb deluxe production of Dimitri Tiomkin's glorious soundtrack does full justice to the original film score, and even exceeds that standard by including several previously unfilmed and unreleased tracks. Tiomkin's score is a brilliantly dramatic fusion of East and West, blending classical, oriental and Russian themes with precision and panache. This La-La Land Records release is to be fully commended for dedication beyond the call of soundtrack duty. Booklet photography and sleeve notes by Frank K. DeWald are a welcome additional treat. If you like epic film-making, Tiomkin or Samuel Bronston, purchase and consume this product as soon as possible. You will not be disappointed. Review by James McCabe, Amazon.com

”

 

Composer Biography
Composer at Wiki

Film at IMDB
Film at Wiki

Tracklist:

CD1:

01. Overture (02:55)
02. Main Title (03:03)
03. Peking, China, The Summer Of The Year 1900... (00:44)
04. Order From A Prime Minister / In The Palace (01:46)
05. Oriental (01:19)
06. The Water Wheel Torture (01:36)
07. A Dead British Missionary (00:38)
08. Welcome Marines (01:54)
09. Hotel Blanc (02:24)
10. Lewis And Natashaҳ First Encounter (02:20)
11. Prince Tuan (02:02)
12. Dance At The British Embassy (The Belfry Two-Step) (03:06)
13. The Boxers Entertain (02:43)
14. Natashaҳ Waltz (02:20)
15. Murder Of The German Minister (02:12)
16. Mass Execution (00:29)
17. An EmpressҠWarning (01:09)
18. Rescued From An Angry Crowd (01:09)
19. Preparing For Battle (02:12)
20. Natasha Visits A Chinaman (01:38)
21. Lewis And Natasha Disagree (01:10)
22. Attack On The French Legation (03:17)
23. British Soldier Wounded (00:49)
24. On Top Of The Wall (02:06)
25. All Quiet On The Eastern Front (00:35)
26. Here They Come (Peking First Battle) (02:45)
27. Hospital Scene (01:03)
28. Moon Fire (05:51)

CD2:

01. Intermission: The Peking Theme (02:28)
02. Childrenҳ Corner (01:40)
03. At The Hospital (01:06)
04. A Message From Admiral Sidney (01:20)
05. Lewis And Natasha (03:04)
06. Theresa In Danger (01:55)
07. Religious Ceremony / Covert Operation (04:15)
08. Spoiling The EmpressҠParty: Explosion Of The Arsenal (02:39)
09. Old Soldiers Never Volunteer (02:15)
10. Lewis Saves The Boy (01:48)
11. Necklace For Drugs (01:14)
12. The Truce Is Over (01:08)
13. Theresa And Lewis (01:01)
14. Death Of Natasha (02:51)
15. A New Kind Of Weapon (02:27)
16. Peking Second Battle (00:44)
17. Bad News (02:18)
18. Attack On The Compound (01:50)
19. Help Arrives (02:52)
20. The Empress Alone (01:36)
21. Auld Lang Syne (00:42)
22. End Title (01:36)
23. Exit Music: The Peking Theme (02:49)
24. So Little Time (EP Version) (02:15)
25. March (EP Version) (01:56)
26. Natasha (EP Version) (01:57)
27. Theresa (EP Version) (02:05)
28. So Little Time (Single Version) (02:15)
29. Moon Fire (Single Version) (02:01)

Hugo Friedhofer - The Young Lions (1958) & This Earth Is Mine! (1959) Soundtracks (1993) 2CD

 

“

Despite the fact that he came to prominence in the heyday of Hollywood's great film scores, Hugo Friedhofer never achieved the recognition enjoyed by his contemporaries Miklos Rozsa, Alfred Newman, Bernard Herrmann, and Franz Waxman. This may have been a result of the fact that he tended to score movies that were more noted for their stars than their dramatic content. Hugo Wilhelm Friedhofer was the son of a cellist from Dresden. He quit school at the age of 16 to take a job as an office boy, and studied art at night at the Mark Hopkins Institute in San Francisco. He'd started learning the cello from his father at age 13, but for most of his teen years, music and art challenged each other as his first love. At 18, he finally decided to devote himself to music, taking up the cello in earnest and achieving a professional level of competency by the time he was 20. He played in a symphony orchestra and a theater orchestra while continuing to study music full-time, including composition courses with Italian composer Dominico Brescia. He worked periodically as an arranger for popular bands and playing in theater orchestras, and then, with the advent of talking pictures, was suddenly thrown out of work when the theater orchestras disappeared. He scrambled around for work for two years, already married and with a wife and child to support. Then in the late '20s, he landed a job in Hollywood as an arranger at Fox Studios. Arriving there in April of 1929, he took his first assignment, the movie Sunny Side Up, and then worked as a freelancer for the next few years. He was finally hired by Warner Bros. and spent the middle and end of the '30s orchestrating more than 50 of the movie scores written by Max Steiner, and 15 of the renowned scores of Erich Wolfgang Korngold. By the early '40s, he was widely admired as an orchestrator even among the classical community, which normally looked down its nose at film music, including such renowned figures as conductor Jascha Horenstein. Friedhofer emerged very slowly as a composer. His first assignment, for The Adventures of Marco Polo starring Gary Cooper, came about in 1937 through his friend Alfred Newman. Unfortunately, the Warner Bros. music department had all of the composing talent it needed and only used Friedhofer as an orchestrator. Luckily, he had Newman's lasting friendship. In 1944, Newman got Friedhofer an assignment at 20th Century Fox to score The Lodger. Newman was the most respected creative figure in film music in Hollywood, whose word was law with many producers and even a few moguls, among them Samuel Goldwyn. It was on Newman's recommendation that Goldwyn -- over the objections of director William Wyler (who wanted Newman) -- selected Friedhofer to compose the music to the most important movie he had ever made, The Best Years of Our Lives, in 1945. Friedhofer's score for The Best Years of Lives was one of the finest ever written for a Goldwyn movie and it won the composer an Academy Award and attracted the favorable attention of serious music critics. Friedhofer's career as a composer was made, and he went on to score such diverse films as Ace in the Hole, The Bishop's Wife, Three Came Home, Seven Cities of Gold, An Affair to Remember, The Young Lions, and One-Eyed Jacks. He worked well into the 1970s on movies including Roger Corman's Von Richthofen & Brown and Paul Bartel's Private Parts. In the 1970s, Friedhofer was respected as an elder statesman of film music. As one of the few surviving members of his generation, he ended up as a spokesman for them and a symbol of the neglect to which their work was subjected; many of his scores were part of a massive amount of studio documents bulldozed as landfill during the early '70s. Ironically, by the end of that decade, scholars and record companies were busy reconstructing Friedhofer's orchestrations and arrangements for new recordings. Review by Bruce Eder, Allmusic.com

”

Hugo Friedhofer at Wiki

The Young Lions at IMDB - This Earth Is Mine! at IMDB
The Young Lions at Wiki - This Earth Is Mine! Wiki

Tracklist:

CD1 - The Young Lions:

01. Main Title - Ski Run (2:03)
02. Christian & Francoise / Michael's Theme (5:38)
03. Hope & Noah (4:49)
04. The Captain's Lady (2:07)
05. North American Episode (5:44)
06. Parisian Interlude (5:09)
07. Berlin Aftermath (3:13)
08. A Letter from Noah (2:13)
09. River Crossing (3:03)
10. Death of Christian / End Title (5:22)

CD2 - This Earth Is Mine!:

01. Main Title (3:27)
02. Martha's Vineyard (1:58)
03. The Kiss (1:50)
04. Wine Caves (2:36)
05. Good Catch (3:21)
06. Amorous Andre (1:31)
07. Confessional (4:40)
08. John & Mother (1:05)
09. Be Honest (3:35)
10. Mountain Vineyard (2:26)
11. Catastrophe (2:49)
12. Hospital (2:19)
13. Back to the Soil (2:55)
14. End Title (3:41)

Password: designol

Hugo.Friedhofer.CD1.The.Young.Lions.FLAC.rar
Hugo.Friedhofer.CD1.The.Young.Lions.mp3.rar

Hugo.Friedhofer.CD2.This.Earth.is.Mine.FLAC.rar
Hugo.Friedhofer.CD2.This.Earth.is.Mine.mp3.rar

Francois De Roubaix - Anthologie Volume 1&2 (1999) MP3 + Lossless

Artist: Francois De Roubaix
Title Of Album:Anthologie Volume 1&2
Year Of Release:1960-70 (1999)
Label: Play Time
Country:France
Genre: Soundtrack
Quality: mp3/Flac (image+.cue)
Bitrate: 320 kbps/Lossless
Total Time:73:50 + 74:58
Total Size:333,35 / 965,55 Mb

Tracklist :

Volume 1:
Commissaire Moulin
1. Indicatif 1:36
Les Aventuriers
2. Journal De Bord 3:18
3. Enterrement Sous-Marin (Version Inédite) 1:20
La Scoumoune
4. Xavier A La Maison D'Arrêt 2:32
Les Secrets De La Mer Rouge
5. La Vie A Bord 2:34
6. Thème De Célima 1:22
7. Les Pirates 1:52
8. Thème D'Amina 1:32
Chapi-Chapo
9. Chapi-Chapo 2:45
Le Saut De L'Ange
10. Le Saut De L'Ange (Version Longue) 3:33
11. Drive-In 1:49
La Guerre D'Algérie
12. Thème 2:56
À Vous De Jouer Milord
13. Générique 1:51
14. Titan 2:35
15. Un Tank Pour L'Aventure 1:56
16. Angoisse Sous-Marine 2:05
Le Provocateur
17. Générique 1:56
Les Sesterain Ou Le Miroir 2000
18. Générique 2:07
19. Amour Et Mariage 1:55
20. Tignes 2:32
21. Schuss... 1:50
Sial IV
22. Thème 2:06
Tante Zita
23. Le Monde Est Fou 2:23
24. Loin (Version Inédite) 1:58
25. Miniland 1:52
Opération Gauguin
26. La Plongée 1:53
Le Soleil Se Lève à L'Est
27. Générique 2:06
28. Cavaliers En Manoeuvre 2:05
29. Le Soleil Se Lève A L'Est 2:23
La Vie Commence à Minuit
30. Thème 1:41
Bonus Tracks
31. La Scoumoune 2:46
32. Tramp 1:39
33. Les Caïds 1:41
34. Trois Pas 1:40
35. L'Appel Du Large 1:59

Volume 2:
Dernier Domicile Connu
1. Suite
2. Ecoute Le Temps
Vocals – Brigitte Bardot
Les Chevaliers Du Ciel
3. Générique Jeunesse "L’Age Tendre"
4. Deux Chevaliers Dans Les Andes
5. Le Ciel Nous Fait Rêver
6. Poursuite Dans Les Airs
7. Tahiti
Jeff
8. Le Canal Gelé
9. Poursuite A Anvers
10. Laurent Et Eva
Pépin La Bulle
11. La Bulle De Pépin
Vocals – Jean-Jacques Gallard
12. En Avant Pépin!
La Loi Du Survivant
13. Valse Du Vertige (Version 1)
14. La Loi Du Survivant
15. Valse Du Vertige (Version 2)
Ou Est Passé Tom?
16. Tom
17. Les Prisonniers
Les Grands Moyens
18. Vendetta
Vocals – François De Roubaix
19. Les Mémés Flingueuses
Les Etrangers
20. Thème
Les Anges
21. Les Anges
A Dossiers Ouverts
22. Générique
23. Calomnie
Des Poissons Et Des Hommes
24. Requiem Pour Un Congre
25. Valse Du Poulpe
Millénaires
26. Thème
Les Oiseaux Rares
27. Je Suis Sportive
Amours, Delices Et Orgues
28. Thème
Pénélope
29. Balade De Pénélope
30. Pénélope Se Déchaîne
Comment Ça Va J'm'en Fous
31. Une Vie A L'envers
Mais Ou Sont Passées Les Jeunes Filles En Fleur?
32. Des Jeunes Filles Et Des Fleurs…
Titres Bonus
33. Rêverie (Maquette De Travail Inédite)
34. Les Aventuriers (Maquette D'Une Chanson Inédite)
Vocals – Joanna Shimkus
35. Demain… (Maquette De Travail Inédite)

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Vladimir Cosma - Le jumeau (LP) (1984)

 

 

 

Artist: Vladimir Cosma
Title Of Album:Le jumeau
Year Of Release: 1984
Label: Carrere
Genre: Jazz, Score
Quality:Flac (image+.cue)
Bitrate: Lossless 24 bit/96 kHz
Total Time:35:33
Total Size: 696,67 Mb



Tracklist :
01. Le jumeau (4:15)
02. Les filles en or (3:49)
03. Matthias-Matthieu (4:53)
04. Les bigames (1:31)
05. Blue dôme (2:27)
06. Elizabeth et Elisabeth (1:10)
07. Two Much (4:54)
08. Le jumeau singulier (2:20)
09. La folle journée (4:16)
10. Betty (1:10)
11. Pardon, mon affaire (3:50)

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