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sexta-feira, 22 de novembro de 2013

Roy Budd - Get Carter: Original Motion Picture Soundtrack & The Remix Album (1971/2000) 2CD Special Edition

 
 
 
 
 
 
 


Remastered special edition soundtrack to the British gangster film, a cult favorite and arguably Roy Budd's finest work, it was originally released in 1971 and stars Michael Caine. Includes enhanced dialogue plus a bonus disc of remixes, 'Breakneck' (7' Edit, Rob's Old School Mix, Deadly Avenger Remix), 'Dope On A Rope' (12' Remix and Gentleman Thief Remix), 'De Few' ('2 Smoking Barrels Remix'-12' and Full Vision Remix-'Carter Express'), 'Lionrock' (Justin Robertson Remix, Andy H. & Full Vision Remix)-'Just Call Me Full' and 'Breakneck' ('Dirtbox Remix'-featuring Phil Dirtbox).


This double-disc special edition soundtrack summarizes everything that made Mike Hodges' groundbreaking 70's revenge film a cult classic. This soundtrack is mandatory for any fan of the film or of talented composer Roy Budd whose haunting theme is highlighted throughout the album with dialogue samples from the film selectively placed between music cues capturing the gritty atmosphere of Michael Cain's uber-cool Jack Carter. In addition, this album includes a bonus remix CD featuring 10 tracks remixed by some of the most talented techno DJ's world wide and take Roy Budd's main theme to a new level, eclipsing Tyler Bates electronic reworking for the disappointing Stallone remake. This special edition import CD is beautifully packaged in a glossy gatefold sleeve featuring liner notes booklet with stunning cover artwork and photographs capturing the essence of the quintessential film. It is worth every penny (or shilling) to purchase this import version instead of the standard version which includes 28 tracks, 3 more than the standard edition which are basically just additional dialogue samples from the film, however the instrumental version of Getting Nowhere In A Hurry is absent from this edition. I own both versions and the special edition is by far the best, the rarest, and geared for the collector so go get yourself some Carter!
Review by Dave Cordes, Amazon.com


Excepting only the work of the great Lalo Schifrin, Roy Budd's Get Carter was the best theme in the lucrative world of spy/gangster/heist soundtracks from the late '60s and early '70s. Underpinning the tense strength of director Mike Hodges' film about a hit man turned avenging angel, the film's main theme ("Carter Takes a Train") is a paranoid, hallucinatory title that deftly played up the menace of Michael Caine's character. Interested parties who've only heard the legend of Get Carter, however, may not find much else to interest them; those who've seen it can carry a bit more, but most of these tracks are titles to a film, and don't escape the period feel. The fine collections Rebirth of the Budd or Buddism are both better purchases toward understanding the brilliance of Roy Budd.
Review by John Bush, Allmusic.com


Roy Budd Biography
Roy Budd at Wiki

Film at IMDB
Film at Wiki

Tracklist:
CD1: Get Carter - Original Motion Picture Soundtrack:

01. Intro (00:35)
02. Dialogue (00:17)
03. Main Theme - Carter Takes A Train (02:57)
04. Dialogue (00:36)
05. Looking For Someone (02:32)
06. Dialogue - The Race Track (01:29)
07. Something On My Mind (04:13)
08. Dialogue (00:51)
09. Getting Nowhere In A Hurry (03:09)
10. Dialogue (01:03)
11. The Girl In The Car (02:25)
12. Dialogue (02:14)
13. Love Is A Four Letter Word (02:39)
14. Dialogue (00:58)
15. Livin' Should Be This Way (03:15)
16. Dialogue (00:18)
17. Manhunt (02:50)
18. Dialogue (01:20)
19. Goodbye Eric! (00:48)
20. Dialogue (00:05)
21. Hallucinations (04:30)
22. Dialogue (00:40)
23. Plaything (02:32)
24. Dialogue (00:09)
25. Goodbye Carter! (03:40)
26. Dialogue (00:03)
27. Hallucinations - Snoitanicullah (Instrumental) (04:23)
28. Dialogue (00:51)

CD2: Get Carter - The Remix Album:

01. Breakneck - 7' Edit (03:59)
02. Rob's Old School Mix (06:31)
03. Deadly Avenger Remix (04:52)
04. Dope On A Rope - 12' Remix (06:02)
05. Gentleman Thief Remix (05:11)
06. De Few - 2' Smoking Barrels Remix' (06:03)
07. Full Vision Remix - 'Carter Express' (05:00)
08. Lionrock (Justin Robertson) Remix (03:55)
09. Andy H. & Full Vision Remix - 'Just Call Me Full' (04:50)
10. Breakneck - 'Dirtbox Remix' - featuring Phil Dirtbox (07:44)


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sexta-feira, 8 de novembro de 2013

Inside Llewyn Davis [Original Soundtrack Recording] (2013)

VA – Inside Llewyn Davis [Original Soundtrack Recording] (2013)

Artist: VA
Title Of Album: Inside Llewyn Davis
Year Of Release: 2013
Label: Nonesuch
Genre: folk, original soundtrack
Quality: MP3
Bitrate: 320 kbps
Total Time: 41:56
Total Size: 102 MB




Tracklist:

1. Oscar Isaac – “Hang Me, Oh Hang Me”
2. Marcus Mumford & Oscar Isaac – “Fare Thee Well (Dink’s Song)”
3. Stark Sands with Punch Brothers – “The Last Thing on My Mind”
4. Justin Timberlake, Carey Mulligan and Stark Sands – “Five Hundred Miles”
5. Oscar Isaac, Justin Timberlake and Adam Driver – “Please Mr. Kennedy”
6. Oscar Isaac – “Green, Green Rocky Road”
7. Oscar Isaac – “The Death of Queen Jane”
8. John Cohen with The Down Hill Strugglers – “The Roving Gambler”
9. Oscar Isaac with Punch Brothers – “The Shoals of Herring”
10. Chris Thile, Chris Eldridge, Marcus Mumford, Justin Timberlake, Gabe Witcher – “The Auld Triangle”
11. Nancy Blake – “The Storms Are on the Ocean”
12. Oscar Isaac – “Fare Thee Well (Dink’s Song)”
13. Bob Dylan – “Farewell”
14. Dave Van Ronk – “Green, Green Rocky Road”


Vladimir Cosma - Cosma Cinema Collection Vol. 22: Films de Claude Zidi (2001)





Cosma Cinema Collection Vol. 22 includes the soundtracks to films by Claude Zidi: Inspecteur la Bavure, Banzaï, Les Rois Du Gag, L'aile ou la cuisse, Vous n'aurez pas l'Alsace et la Lorraine.


One of France and Europe's most distinguished film composers, Vladimir Cosma scored more than 150 films and TV productions. Although he enjoyed almost immediate success in comedies, he continued to experiment with different styles and genres, and this versatility brought him wide international acclaim.

Born on April 13, 1940, in Bucharest, Romania, to the family of a renowned conductor and concert pianist, Cosma studied music from his early years onward, eventually attending the National Conservatory in Bucharest (from which he graduated with two first prizes, for violin and composition). In 1963, he went to Paris to advance his studies at the French Conservatory, where, in addition to his classical background, he developed an interest in jazz, folk music, and film music.

Between 1964 and 1967, he toured the world as a concert violinist, visiting the U.S., Latin America, and Southeast Asia. A meeting with popular film composer Michel Legrand became the first step toward his future career. Cosma always credits Legrand's importance, though he also admits the influence of such composers as Burt Bacharach and Henry Mancini.

In 1967, he began his long-running partnership with film director Yves Robert, for whom he scored the international hits Alexandre (1967), The Tall Blond With One Black Shoe (1972), and The Return of the Tall Blond (1974), as well as the critically acclaimed dramas My Father's Glory and My Mother's Castle (both in 1990). He also wrote the music for several comedies directed by Francis Veber and Gerard Oury, starring such hit French comedians as Pierre Richard and Louis de Funes.

One of his biggest international hits was the Erik Satie-inspired soundtrack for Diva (1981), for which he was awarded his first Cesar (the French equivalent of the Oscar). He received another Cesar for Le Bal (1983), and the main instrumental theme from it became a substantial hit worldwide. Among the other awards given to Vladimir Cosma are the Sept d'Or, the French TV award for L'ete '36 (1986), and a Cannes Film Festival award for the entire body of his work.
Yuri German, Allmusic.com










Tracklist:

L'inspecteur Labavure

01. Generique (L'inspecteur Labavure) (02:39)
02. Substitution (L'inspecteur Labavure) (04:22)
03. Traffic (L'inspecteur Labavure) (02:05)
04. La reconstitution (L'inspecteur Labavure) (01:24)
05. Big bavure (L'inspecteur Labavure) (01:56)

Banzaï

06. Banzai rapshodie (Banzai) (05:31)
07. Rhapsodie in Bronx (Banzai) (03:06)
08. Sur la route de Tunis (Banzai) (01:04)
09. Hong Kong flirt (Banzai) (01:45)
10. Hot dog (Banzai) (02:09)
11. SOS Planete (Banzai) (01:08)
12. Le monstre (Banzai) (01:12)
13. Ben Zidi melodie (Banzai) (03:22)

Les rois du gag

14. Les rois du gag (Les rois du gag) (03:08)
15. Gaetan (Les rois du gag) (01:37)
16. Cabine de Plage (Les rois du gag) (00:59)
17. Paul et Francois (Les rois du gag) (01:02)
18. Don Welson Corleone (Les rois du gag) (01:52)
19. Prise d'otage (Les rois du gag) (01:25)
20. Le dernier homme (Les rois du gag) (05:43)
21. Alexandra (Les rois du gag) (01:00)

L'aile ou la cuisse

22. Concerto gastronomique (L'aile ou la cuisse) (03:04)
23. Tarte a la creme (L'aile ou la cuisse) (02:00)
24. L'usine Tricatel (L'aile ou la cuisse) (01:42)
25. Jumbo l'elephant (L'aile ou la cuisse) (02:59)
26. Conecerto gastronomique (allege) (L'aile ou la cuisse) (02:58)

Vous n'aurez pas l'Alsace et la Lorraine

27. Chanson du Chevalier Blanc (Vous n'aurez pas l'Alsace et la Lorraine) (01:45)
28. Theme des Mousquetaires (Vous n'aurez pas l'Alsace et la Lorraine) (01:54)

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Cosma.Vol22.Zidi.flac.part1.rar
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Cosma.Vol22.Zidi.mp3.rar

Cosma.Vol22.Zidi.scans.rar

segunda-feira, 4 de novembro de 2013

Lalo Schifrin - Cool Hand Luke: Original Soundtrack Recording (1967/2001)





 


With an iconic, Academy Award®-nominated lead performance by Paul Newman as the free spirit who refuses to be broken by cruel Southern justice, director Stuart Rosenberg's Cool Hand Luke has rightly taken its place as a modern American classic. One of the key elements to the film's deft balance of drama and humor is also its most unlikely: the Oscar®-nominated score of Argentine-born composer Lalo Schifrin. As he's done throughout a career that's moved gracefully between jazz recordings, classical podiums, and scoring stages, Schifrin's music fuses seemingly disparate genres--bluegrass, symphonic, rhythmic jazz--into a soundtrack that evokes them all yet becomes distinctly more than the sum of its parts. Given that gratifying sensibility, it's a soundtrack full of surprising twists and turns, crackling with energy. Such is its dynamic nature that one reedited cut ("Tar Sequence") has taken on a second life as the ubiquitous "Eyewitness News" theme music at local TV stations across America.


Of all the film scores Lalo Schifrin has composed -- good and bad, and yes, he's done some stinkers -- the score to Stuart Rosenberg's 1967 film Cool Hand Luke, a star vehicle for Paul Newman, is among his greatest achievements. First, there is the score itself, pure cinema in scope, breadth, and architecture. Next is its attempted marriage to bluegrass music -- not entirely successful, but pretty great anyway -- and finally there is Schifrin's attempt to offer an actual view of the character through the score, not just provide a series of incidentals to accompany the movement of a plot. The complexities of Newman's Luke are borne out in a score that works futuristic themes (like the CNN-meets-Star Trek music for the "Tar Sequence," the most problematic in the film), gorgeous jazz elements (just check out "Lucille," a seductive love theme if there ever was one), and bluegrass concepts into a framework where they were needed but would be obtrusive no matter where they were placed -- like Luke himself. This shows through loud and clear on "Egg-Eating Contest," even if Schifrin's sensibilities run closer to Jobim than Bill Monroe. There is also the delightful, Stephen Foster-ish theme called "Plastic Jesus," with Tommy Tedesco playing a sweet banjo and guitar over a lush, melancholy string arrangement. It's here that the drama in the film turns into the only fate a character like Luke can have befall him. Immediately after this beautiful interlude comes a heavily reverbed psychedelic banjo that threatens to rip the insides out of "Foggy Mountain Breakdown," but instead becomes a suspenseful meditation on clarity called "I Got My Mind Back." The knowledge of all that transpired previously is clearly in every wash of the strings over the harp. "Ballad of Cool Hand Luke" is heard as the beginning of the last third of the film comes into play. A harmonica carries its melody against a backdrop of horns, electric guitars, and percussion. It's almost like Fred Neil's "Everybody's Talkin'," as scored by Jobim during his Warner Bros. period. As "Dog Boy" begins to signal the beginning of the end, brass and a rumbling piano challenge one another momentarily as a wash of strings and a bongo find their place in the mix to carry its drama. The castanets spot-check the horns and winds, changing the dynamic from tense to unbearable, and escalating that sensation three times inside as many minutes. Here, though, the end title doesn't end the score: There are bonuses that weren't part of the original film. As the reverie of the end title played so simply by Tommy Tedesco becomes a poignant memory of the film's hero and his struggle -- as well as his laughter -- listeners will find themselves wanting more, as did viewers of the film. Here, after the soundtrack is over, Lalo and Donna Schifrin have provided listeners with two large bonuses: One is a gorgeous symphonic sketch -- almost seven minutes long -- of the various themes in Cool Hand Luke, and the other is a lost treasure, the original recording of "Down Here on the Ground," recorded by everybody from Wes Montgomery to Gerald Wilson to Oscar Peterson. It's a straight-up jazz melody, languid, wistful, and beautiful in its elegantly swinging whispers and sliding, dancing grace. What a bonus! This makes Cool Hand Luke, in stunning 24-bit remastered sound, an essential soundtrack in the library of any serious -- or casual for that matter -- film music collector.
Review by Thom Jurek, Allmusic.com



Tracklist:
01. Main Title (02:06)
02. Tar Sequence (03:11)
03. Just a Closer Walk With Thee (02:54)
04. Chase (03:17)
05. Lucille (02:45)
06. Egg Eating Contest (02:57)
07. Eye-Ballin Glasses (02:24)
08. Arletta Blues (02:53)
09. Criss-crossing the Fence (02:19)
10. Plastic Jesus (01:56)
11. Got My Mind Back (03:08)
12. Ballad of Cool Hand Luke (02:34)
13. The First Morning (01:49)
14. Bean Time (01:10)
15. Road Gang (01:48)
16. Radio in Barracks (01:47)
17. Dog Boy (03:09)
18. End Title (02:13)
19. Symphonic Sketches of Cool Hand Luke (06:56)
20. Down Here on the Ground (Symphonic Version) (05:59)



Johnny Mandel - The Sandpiper: Original Motion Picture Soundtrack (1965/1996)



 


The film The Sandpiper is best-remembered today for Johnny Mandel's "The Shadow of Your Smile". Its soundtrack CD has 11 pieces on it, ten of which are variations of that one melody. Other than a straightforward version of the theme that features a vocal group, Jack Sheldon's trumpet is prominent throughout much of the haunting score; the one exception to the moody music is the brief R&Bish "Bird Bath" which was used in a nightclub scene. Otherwise this CD's value to listeners depends largely on how much one enjoys "The Shadow of Your Smile".
Review by Scott Yanow, Allmusic.com



Johnny Mandel Biography
Johnny Mandel at Wiki

Film at IMDB
Film at Wiki

Tracklist:

01. The Shadow Of Your Smile (Vocal) (01:54) - Music by Johnny Mandel, Lyrics by Paul Francis Webster
02. Main Title (04:15)
03. Desire (02:27)
04. Seduction (05:00)
05. San Simeon (04:14)
06. Weekend Montage (04:28)
07. Baby Sandpiper (03:51)
08. Art Gallery (05:35)
09. End Title (02:36)
10. Bird Bath (02:14)
11. Weekend Montage (unedited version) (04:59) CD bonus track


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Dimitri Tiomkin - 55 Days At Peking: Expanded Original Motion Picture Soundtrack (1963/2011) 2CD Limited Edition

 

 
 

La-La Land Records and Sony Music presents the remastered and expanded 2-CD SET of legendary composer Dimitri Tiomkin’s (SHADOW OF A DOUBT, GIANT, RIO BRAVO, THE OLD MAN AND THE SEA) score to the 1963 motion picture epic 55 DAYS AT PEKING, starring Charlton Heston, Ava Gardner and David Niven, directed by Nicholas Ray. Tiomkin's robust orchestral score, regarded as one of his finest works, soars with excitement and boundless creativity. Expanded by well over an hour beyond its original LP release, this comprehensive re-issue contains additional material that was not used in the final cut of the film. Produced by Didier C. Deutsch and Mark G. Wilder, and mastered by Mark G. Wilder from recently discovered Sony Music vault elements, this release is a must for all golden age score enthusiasts. The handsome 24-Page booklet contains exclusive, in-depth liner notes by film music writer Frank K. DeWald. This is a limited edition of 2500 units.

55 DAYS AT PEKING was the third epic film created by Samuel Bronston in Spain, originally released in 1963. This superb deluxe production of Dimitri Tiomkin's glorious soundtrack does full justice to the original film score, and even exceeds that standard by including several previously unfilmed and unreleased tracks. Tiomkin's score is a brilliantly dramatic fusion of East and West, blending classical, oriental and Russian themes with precision and panache. This La-La Land Records release is to be fully commended for dedication beyond the call of soundtrack duty. Booklet photography and sleeve notes by Frank K. DeWald are a welcome additional treat. If you like epic film-making, Tiomkin or Samuel Bronston, purchase and consume this product as soon as possible. You will not be disappointed.

Review by James McCabe, Amazon.com
 


Composer Biography
Composer at Wiki

Film at IMDB
Film at Wiki

Tracklist:

CD1:

01. Overture (02:55)
02. Main Title (03:03)
03. Peking, China, The Summer Of The Year 1900... (00:44)
04. Order From A Prime Minister / In The Palace (01:46)
05. Oriental (01:19)
06. The Water Wheel Torture (01:36)
07. A Dead British Missionary (00:38)
08. Welcome Marines (01:54)
09. Hotel Blanc (02:24)
10. Lewis And Natashaҳ First Encounter (02:20)
11. Prince Tuan (02:02)
12. Dance At The British Embassy (The Belfry Two-Step) (03:06)
13. The Boxers Entertain (02:43)
14. Natashaҳ Waltz (02:20)
15. Murder Of The German Minister (02:12)
16. Mass Execution (00:29)
17. An EmpressҠWarning (01:09)
18. Rescued From An Angry Crowd (01:09)
19. Preparing For Battle (02:12)
20. Natasha Visits A Chinaman (01:38)
21. Lewis And Natasha Disagree (01:10)
22. Attack On The French Legation (03:17)
23. British Soldier Wounded (00:49)
24. On Top Of The Wall (02:06)
25. All Quiet On The Eastern Front (00:35)
26. Here They Come (Peking First Battle) (02:45)
27. Hospital Scene (01:03)
28. Moon Fire (05:51)

CD2:

01. Intermission: The Peking Theme (02:28)
02. Childrenҳ Corner (01:40)
03. At The Hospital (01:06)
04. A Message From Admiral Sidney (01:20)
05. Lewis And Natasha (03:04)
06. Theresa In Danger (01:55)
07. Religious Ceremony / Covert Operation (04:15)
08. Spoiling The EmpressҠParty: Explosion Of The Arsenal (02:39)
09. Old Soldiers Never Volunteer (02:15)
10. Lewis Saves The Boy (01:48)
11. Necklace For Drugs (01:14)
12. The Truce Is Over (01:08)
13. Theresa And Lewis (01:01)
14. Death Of Natasha (02:51)
15. A New Kind Of Weapon (02:27)
16. Peking Second Battle (00:44)
17. Bad News (02:18)
18. Attack On The Compound (01:50)
19. Help Arrives (02:52)
20. The Empress Alone (01:36)
21. Auld Lang Syne (00:42)
22. End Title (01:36)
23. Exit Music: The Peking Theme (02:49)
24. So Little Time (EP Version) (02:15)
25. March (EP Version) (01:56)
26. Natasha (EP Version) (01:57)
27. Theresa (EP Version) (02:05)
28. So Little Time (Single Version) (02:15)
29. Moon Fire (Single Version) (02:01)